RP Shravan’s concert was an interesting line-up of Tamil songs

RP Shravan’s concert for Chithirai Tamil Isai Vija organized by Madhurdhwani. , Photo Credit: Velkani Raj B

It was a pleasure that RP Shravan’s vocal repetition for Madhurdhwani and Anamjothi was heard as part of Chitriti Thumiz Izai Viza.

Delhi p. A disciple of Sundar Rajan, after a Virutam, made a lively start with ‘Audi Konder Etha Vedikakai’ by Muthundhwar in Mayamalavagowal. He rendered fantasies at the second place of the three Charanams, ‘Ara Navamani Mallaikal Aada’. From the beginning, it was easy to praise your sparkling, quick-moving routes. And, he was successful in maintaining that livelihood through the concert.

RP Shravan with Usha Rajagopalan (Violin), Melaveri Balaji (Mridangam) and Adambakkam Shankar (Ghatam). , Photo Credit: Velkani Raj B

Considering the incident, it was an all-tamil concert. Papanasam Shivan’s ‘Gajavadana Karuna Sadana’ in Vignashwara in Sriranjani, with a swaraprastha in Pallavi. After a wide virus in Lathangi, Shravan chose Papanam Shivan’s evergreen ‘Venkataraman’ (Ruopakam) with Nirwal and Swaraprastar in ‘Alarmal Mangai Manla’. Gopalakrishna Bharti’s ‘Energam Anthan Sainidhail’ was well presented in a beloved Devagandhari.

Next was a Pasuram from Andal Nachiyar thirumoji On rain, a suitable for the scorching heat of Chennai – ‘Mazhaiye Mazhaiye Mannpuram Poosi’, was tuned by hearing in Amritvarshini. Popular Suda Severi Kriti of Periyasamy Thuran, ‘Thai Tripurasundari’ (Khanda Chapu), with a grooming inbuilt Chittaswar, followed by this.

For the main piece, the widespread raga alpana of hearing in Kamboji was not only traditional, but also deep. Kriti was the selected Gopalakrishna Bharti’s ‘Thiruwadi Saranam Enerung Nambi Vanthane’. The composer Chidambaram’s Nataraja feet beg to ensure that it is not rebirth. Detailed Nirawal and Swaras ‘Aduthathu Vanatha Anai’ were in a part of Charanam.

RP Shravan’s raga expansion stood out in Kamboji for the main piece. , Photo Credit: Velkani Raj B

On Muruga was another beautiful song composed by Lakshmi Vishwanathan in Tisra Nadai in Chakravakam, ‘Velum Meelam Thuni’. In Ragamalika, Tirupapugaz, ‘Ethanarni Mithu Pirwate’ was happily tuned by the grand Hari. She is the daughter and disciple of TV Sundarwally, who is a famous singer who immersed himself in the promotion of St. Arunagirinathhar’s verses.

After this, Shravan rendered Hariyanallur Muttiah Bhagwathar in Indus Bhairavi (Tisra Nadai), Hariyanelur Muttiah Bhagwathar, ‘Mavur Valam Parauga Vaantha Kali Amman’. The song is about a deity in the temple built on the lines of the famous Kolkata Kali.

Shravan injured his attractive concert with a rare lullaby on Ayyappa in a soothing Nilambari, ‘Pombay Kariyal Hariharsudhan Avatathar’.

The contribution of senior co-stars of Shravan added to the prosperity of recurrence, entitled to praise. Violin player Usha Rajagopalan’s raga expansion and Lathgi increased swaras. He expanded the sweet sweetness of Kamboji and disturbed in Kalpneshwar. Melakaveri Balaji on Mridangam and Adambakkam Shankar on Ghatam chased the singer focusing on the chief. After the main work, she had a beauty in Thai rhythm.