‘#Single’ Movie Review: Mr. Vishnu’s Romom is a bag of old trick

Shri Vishnu and Ketika Sharma in ‘#Single’ | Photo Credit: Special Arrangement

It is one thing not to take yourself seriously, and the other is really funny. Actor Shri Vishnu #aloneThe male narrates a 129 -minute ode for gaze, the story of a man caught between two women. The film denied one-liners wrong for statusable humor, which tilts with the capable actors to carry an unpleasant, targetless base. A banial idea extends to the point of exhaustion, and in an attempt to calm down, it is neither clever nor funny.

Directed by Caarthick Raju (Ka Ninu Vidani Needu Nene And Thirudan police fame), #alone For lazy writing, resorts, pop culture references, borrowed film trops and a barrage of social media memes try to mask their flaws. Its male leads, insurance agents Vijay (Shri Vishnu) and Arvind (Venela teenage) are desperate for women meditation – to use the metro ride to ole women, hiring goons to staging and win a girl’s sympathy.

Vijay has been surrounded with Purva (Ketika Sharma) that he takes him to his office on the pretext of a vehicle investigation. In his dialect, another woman, Harini (Ivana), falls for her to woo her. The woman is caught in the midst of the woman she loves and the woman who loves her, the film tries her hand at the comedy of confusion, but collapses under a script that fails to create her thoughts or develops her characters with any depth.

In particular, both relationships are found to be Vijay themselves, lies in a fraud. When the truth emerges, chaos increases-a classic Rome-Com setup. But #alone Never arises over the trop. It works more as an excuse to bring Mr. Vishnu and Vennela teenager together for some throwing gags. Relying on Lobro Humor, there are scenes in the film where the pair lived life with teenage jobs and tired jokes to each other (unfortunate).

The film keeps one old tropper together after another, such as physical appearance, taking potshots in skin color, and painting women as a trophy, while male distributes kripalu punchlines. It confirms stale stereotypes that always wins a woman’s heart. Initially, separating from Vijay’s behavior, Purva heats him only after helping with his medical bills – a redective arch that reduces emotional authenticity.

Adding to the disorder is a subplot, which includes them equally flexible bosses, which is in a steam -filled office affair. An unnecessarily melodramatic flashback falls on the middle route, it is believed to explain the connection of victory for Harini. Varnas change a whispering stance, and humor never develops, leaving the lead trapped in a dull, lifeless story.

Certainly, it is appropriate to make a film mainly for male audiences, but it requires intelligence – not an insensitive bachelor designed as a comedy. Even in its minor scope, #alone A passable slap was the ability to be a comedy. Instead, it selects dated tricks again and treats the audience with indifference. If something like this is #alone Gets correct, this is the end. Women were better entitled.

With the exception of the dialogue distribution and method of Shri Vishnu, his previous some outings are getting repetition lootThis is the time when he discovered his boundary again. Venela teenage fare between the two, manage to create ridiculous lines – like “Anduke IZZAT ke Faluda..mannat ka masooda annaru…” – The sound is confusingly clever.

Both women lead, Ketika Sharma and Ivana, are given very little to work with, although there is better screen appearance later. VTV Ganesh tried to laugh with his trademark diction and Rukas, but the routine feels bad. Rajendra Prasad’s cameo is strangely placed, bringing the film to a scary stop.

Despite being supported by skilled technicians such as cinematographer R Velraj, composer Vishal Chandrashekhar and editor KL Praveen, the craft does not raise the final product. Comedian Satya quipped Vijay in climax, “Me Love Story Wintunn … Nidrochesindi,” (Your love story puts me to sleep), #alone There is a yawning that ams in parts.