Lines and light of: RM Palaniappan’s finite and infinite

Artist Palaniappan | Photo Credit: Special Arrangement

In the money mill, RM Palaniapas of Nature Morte unveiled Finite and infinite There is an odissi of the poem of light and lines against his sparse abstract rendering that echoes an artistic practice born from a domain immersed in abstraction. Palaniapana, former Secretary Lalit Kala Academy, was a stunning administrator and a very reputed businessman of art in Tamil Nadu. His most epic exhibition as an administrator in LKA was the National Art Exhibition of 2011, which was held in Chennai after 17 years.

With their latest functions that use acrylic on canvas in many sizes, which embrace many angles, embracing many angles, their functions wrapped around our senses. The number and granular gravity have a beauty of aerobic enclosure between gravity.

His exhibition on performing by rmpalaniappan by artwork by a mutual alliance finished and Anant in Anant Delhi. Photo Credit: Special Arrangement

Palaniapana once said: “The only true reality lies in a conversation between physical and psychologist. I am to catch this movement in my work.”

The trajectory of the artist is seen in Lethe that changes colors in progression. Curator and director, Peter Negi, says, Palaniapapan works suggest that the journey of life is within aerial military cartographs that combine the geographical perspective. ,

From finite to infinite

His exhibition in Delhi is an artwork place between Rampalaniappan on his exhibition reflected and infinite performance. Photo Credit: Special Arrangement

Palaniappan states: “Only a person flying in space can make three dimensional drawing and spread it to infinity, thus expressing complete human freedom.” Critic and writer Sadanand Menon described it as a “a neutral, non-ancetopomorphic location, which carries images of invincible places and their visual representations, whether terrestrial or planets or celestial. It is a type of experimental geography and is likely to propose a radical landscape.”

Palaniapapan’s love for science, mathematics and astronomy finds its way in a lifelong art practice that reveals their charm with the dynamics of the flying machine. This exhibition is a course of a visual terminology that recur in its historical development as maps, grids and air areas.

Deficit

Artwork by RMPALANIAppan on its exhibition finished and endowed its exhibition in Delhi. Photo Credit: Special Arrangement

In densely layered graphic enclosures within a medley of notation, scars, sifpers, and signs, it is graphic element, hand color, and plurality that provides each task unique. Finite and infinite There is also a mapping of their love to overcome the linearies of the physical world within the web of time, space and movement and their personal experience.

Transition from print in the late 1980s, Palaniapapan focused on the line as his visual tool, describing the projections in the form of a moving object or body that travels through space and time. His work is a drama of visual aesthetics in a slow time. They demonstrate a subtle subtle yet highly sophisticated use and continuous interest in diagram notation and graphic strategies. There is a continuity in their work, with the emotional effect of light within the lines, their lifelong attraction, not as light but light in the form of a rainbow reflection, and a bright force associated with the flexible release of immense energy that sifts and sieves sIFTs and Sieves.

Palaniappan’s family was involved with commercial and graphic art, his father was the distributor of calendar art and later his brothers had ownership of printing and packaging companies. From the late 1970s (when he was in Art College), the artistic exercise of Palaniapas in the early 2000s was completely dedicated to printing, collages and graphic works on paper. This history is retained in the paintings today, as each of the boundaries is demarcated with opposite colors, the number hover in margin, and target equipment used for registration still exist.

You remember the great Mark Rothko who said: ‘Silence is very accurate.’

Rampalaniappan on his exhibition by artwork interview reality and demonstrations in Anant Delhi. Photo Credit: Special Arrangement

(Dhan mill, in Chatarpur; till 8 June; from 10 am to 9 pm)

The author is an art curator and critic