‘Maargan’ Movie Review: Vijay Antony, Debutant Ajay Deman steps with a stuttering Finnish to an impressive style-blender

Editor-turn-director Leo John Paul Margon Is the kind of style-blender that should not have done theoretically-which will take a crime investigation seriously if the mixture has a low-lower supernatural element? Certainly, we have seen the investigation around ghosts or mythological creatures and demons, but rarely with a supernatural aspect MargonThe film styles have an ambitious, eccentric mixture, and even imagining how the story would have been conceptualized and pitched to lead the story and producer Vijay Antony. Many unique thoughts in the film are not understood outside the film world.

For example, supernatural elements in the center; The character of the debutant Ajay Drunth (the actor is influential in his debut) is a talented young swimmer with an edatic memory. His greatest flex, however, is a type of superpower – he can access and swim through the astral plane, a spiritual field where the logic of our physical world does not apply. Sounds misleading?

Go to the next paragraph to avoid the following spoiler-Ji analogy, but it is attractive, at least to say. It is said that you had a Bland Sambar Rice in your office canteen yesterday, but missed on checking other options available at the counter; If you were like a tameezharivu, you can relieve the memory of your lunch time from tomorrow, and then at that time you can do a subtle projection and a subtle launch to swim through that reality, and even canteen can go to the kitchen, without looking at your subtle body. Only here, the character has an agenda that is far more serious than pulses stu.

If the powers of Tamizhrivu are far -fetched, they are also suspected of being a serial killer with an unnecessary modus operandi: injecting young women with a mysterious drug that blackens their body and kills them immediately. The case is being investigated by Dhruv Korak (Vijay), the police general manager of the Director General of Directorates, who already crossed the path with the killer, their body is darkened and left under the medicine. So a picture of an investigation with a policeman who gives a living reminiscent of the fate of the victims.

But surprise here: Despite such wild ideas in the mixture, Leo John Paul Margon Impressively it brings all to a large extent together, becoming a well attractive thriller. The focus of the film is on expansion that first you sit in the early parts right. Before Dhruv gets information about the killing of a uniform modus operandi in Chennai, the police ruined the floor of his Mumbai flat. Signs of a foggy night around him, he is lying down to the left of his body, in such a way that when he gets up, the camera is revealed to be the black left side of his body. But here a low serious filmmaker must have exited: in a passing moment, as he is about to open a text, he depends on his right hand to move his left, a sign of an organ that slept numbered after supporting his body weight overnight.

It may look like a trivial, even clear, expansion, but it is cautious that makes us the basis in the world MargonThe pole the pole and the approach seems real – when he finds out that an inquiry may take six hours, he orders lunch and coffee for his team, including Kali (Mahanadhi Shankar) and Srithi (Brigida Saga) – and it allows the audience to purchase the wonder of the Dhruv when he sees the supernatural aspect of the story. The key to an entertaining investigative thriller is how it draws you from the beginning in your world, and Margon In that regard, thanks to Excel, background score and a color grade that adds to the atmosphere. This helps, unlike most common investigative thriller, the crucks of MargonThe story begins since a complicated suspect who is already in custody. Late, the problem that many Tamil thrilars have plagued some set-up and pay-offs; Here, you prefer how a button camera or a magazine cover or chlorine -filled water later a detail.

Vijay Antony still from ‘Maargan’ | Photo Credit: Special Arrangement

Whereas Margon The supernatural world does a great job of preparing its own argument and sticking through it, the film has a lot of laps in the real world logic. The story is carefully lost in detail as it moves forward. For example, you wonder how people meet people in their investigation – acquaintances from whom they have not met in a decade – do not seem surprising or surprised by the disintegration that appears in their body. In addition, Tamizhrivu feels to deal with the entire section moving around the girlfriend, and you wonder whether the purpose could be achieved more effectively. Also, have the police faced a tragedy to take a case seriously? Certainly, a distressed policeman gets creative freedom as she wants, even when needed works outside the yellow lines, but this pattern becomes slightly tedious, especially if the tragedy is related to the case in the hand.

Now, against the film, one can get very close to turning the tide about how the final work is written and treated. The director connects the ends after a sitting duck, which someone can see from a distance, and even if it was a full point of the story, you wonder if it could be handled in low preaching fashion.

on the face of it, Margon Any other serial killer could be an investment thriller, if not for the supernatural aspect that increases it in something else. This is why it is impossible to settle for blunt reality that leads us to the end. If some real -world ideas in the investigation can use a supernatural turn, you wonder why other real -world ideas were not done in the climax, which were not like turning without behavior. The film fails to do so despite all the necessary materials for this.

if anything, Margon What can do more with Tamil cinema is an entertaining contradiction – stars experimenting with styles – as well as what it can do. We do not need to finish all films with an in-face moral text (and we do not need one that its ‘ISMS’ cannot even get correct).

Maargan is currently running in theaters

Published – June 27, 2025 06:06 pm IST