‘Sangarsha Gadan’ Movie Review: Krishn’s rumor on the vain of war brown with quit inventivity

The anticipation of violence is in the form of violence in the form of violence-it is expected that someone has taken a hit, will retaliate in many ways to do so. In Sangarsha Ghadana – Art of WarWhich begins with a violent hit by a gang on each other, the filmmaker farmer carried forward this expectation during that period to harass the expectations of the audience.

Kodamaja Suna (Sanup Dharvetra), a former gangster who has moved forward and is now living a respectable life, has lost his four trusted lieutenants in a cruel attack by an unknown gang led by Kunjan (Vishnu Agasthya). A person will expect a man to conspiracy to take revenge, especially when he sits with other members of his former gang. The comic policeman probably expected him the same kind. But get closer, and the conversation is about a black pepper drink and special spice dosa that listened to before leaving the city.

‘Sangarsha Gadan’ from A Still | Photo Credit: Think Music India/YouTube

This sequence is the representative of the delicious, sensible humor brand Sangarasha GadanFor example, in the previous films of the farmer, it is filled with. In another scene, a member of a gang adds a cook to a dish – “There are people to kill us. You don’t need it”. At the center of the film, the ancient work of Chinese military strategist Sun Tzu is ‘The Art of War’, which has inspired many political and military leaders for centuries. But the farmer seems to have applied strategies in the book in the local gang war, also questioning the futility of endless cycles of violence.

With the lesson of military books, he is involved in this unholy gang, with the toll – Alexander’s invasions, Napoleon Wars, World Wars, Battle in Syria and the ongoing Brutil Capture of Israla in Palestine, along with toll – Alexander’s invasions, Napoleon wars, world wars, wars in Syria, along with a violent gang in reference to real wars. But the built -in emotions, as well as motivations and more action and reactions, are very universal, a point that the farmer does not attempt to drill in our head, but let it be slowly seep.

Actors like Zinz Shan and Rahul Rajagopal, who have portrayed the farmer in previous films, are included in the lead roles, but it is Vishnu Agastya who steals the scene. Filmmaker Manoj Kana also has some memorable moments as a police officer who interrogates gangsters. The process of police ends as self-awareness spoofs of almost several recent police stories.

‘Sangarsha Gadan’ from A Still | Photo Credit: Think Music India/YouTube

Specific view and narrative style, which was clear like the previous tasks of the farmer HabitatAnd Purusha PrithamThere is a lot when looking here, with some nodes for the owner like Wong Kar-Y. This is not a recurrence in any way, but is a signature of a filmmaker who has a original voice and ideas that do not derive.