‘Sundarakand’ Movie Review: Nara Rohith’s Romom is a mixed bag

In Beautiful, Siddharth (Nara Rohith) faces a common problem for most middle -aged heroes in Telugu cinema’s Romomom. Parents are worried that their old son can never get married, while typical men and children would not agree with a girl unless they match their specific needs. However, the slogan Rohith starrer gives this idea a small twist and ficklely separates it.

The title of the film is a throbac in Venkatesh in 1992, a throbac in the same name, and there is sufficiently thematic equality between the two to establish a clear relationship. While in the past an unconventional equation was shown between a male teacher and a feudal student, the 2025 film is a story of a man, who replaces a teacher to woo a teacher to woo his female love (scary, yes), which deal with agingism with tongue-in-in-chala humor.

Siddharth, a corporate employee, is on a break. He is planning to leave for the US and wants to clean some ‘past’ tasks, and possibly find a girl for herself. The primary issues that disrupt their objectives are their determination on the girlfriend of childhood and have unrealistic expectations for his future partner to fulfill a foolish checklist. When a girl finally fulfills her criteria, Destiny handes her a crude twist.

But for self-deprived humor about Siddharth’s age and her strange expectations from a girl, which provides some space for comedy, all are false alarms with all. However, in the late 30s, it is difficult to expect political purity in a romance among a man among a man, and a college -going girl, the film Siddharth’s frustration leads to a far. Everything is considered in love and war.

After meeting with a ‘kind’ girl, Ira (Punya Vagani) at an airport, he goes to a big length to find her, even finds her name in the coffee cup left in dustbin across the city, and avoids attending a friend’s wedding completely in his ‘search’. When he finally finds Ira, he becomes a lecturer. She opposes her advances, but, like your average in Telugu cinema, is constantly (read stacking).

The film only finds his groove as an interval, where Siddharth lands into a soup, struggling to hide a mystery that can endanger their relationship with Ira. Writing is interesting; Some possible casual moments in the initial part of the film have been released later. It questions Siddharth’s choice, he is related to conflict within Ira’s house and is bent to an audience.

The main issue of the story – the difference between the couple and the idea is that a romantic connection can overcome obstacles – not completely new; You see Yash Chopra’s shades Moments (1991) and Naga valor Dekulu Chudaku Ramayya (2014). Like a specific ‘family friendly’, Rome-Com, there are long dialogues in the climax known for the resolution, and the pleasant end seems appropriate satisfactory.

It is clearly insignificant moments and self-conscious one-liner that works. Siddharth’s mother (Rupa Lakshmi), a Korean series addict who is giving less or less to her son’s love life, is a hoot. Father (played by Naresh), who constantly excavates one in Siddharth’s childhood girlfriend, provides one laugh or two. Nevertheless, if there is someone who overcomes the film, it is true.

Satya is also used strangely on the basis of more or less. He represents the frustration of the viewer because Siddharth goes tirelessly about his efforts, improves several blurred sequences with his physicality and oral feeling. A energetic Sunaina offers him a formidable company, while Vasuki is quite good as Siddharth’s on-screen sister.

In the years, many slogans like Rohith films, Sundrakand There is an issue – this is an interesting idea, but an inconsistent film. Their stable screen appearance remains a problem; Their performance, it is not land, is not in emotional scenes or dance scenes. Indifferentness makes it very difficult to take care of your character.

One of the most effective casting options of the film is to be Sridevi Vijayakumar, who draws two looks over the years – as a cute high school girl and a grand mam – with full pancake. She takes her share with grace, handles the play with sensitivity and looks ready for a strong second innings (provided she does not get typist). Punya Vagani has an attractive personality, but Ira is a bit very intelligent for her age. VTV Ganesh’s dialogue distribution is a patience tester.

Director Venkatesh Nimalapudi has a smart base, although treatment is a mixed bag. It is wrong on several occasions to be a light, memorable film with a bizarre concept. It is more than all-philosophy; Some subplots do not understand, songs (by Leon James) are the surfaces very often and silly action sequences.

Beautiful The USP is its humor, and it can be the only reason to see.

(Beautiful cinemas operating)

Published – August 27, 2025 01:52 pm IST