‘Hridayapoorvam Movie Review’: Mohanlal shines in a light-hearted recreational who spreads a thin plot to its extent

When they find success with their favorite trops, there is a need for filmmakers the need to go out of their comfort field. It has been with Sathin Anthikad for more than four decades. Even when the film industry turned around them in unfamiliar methods around them, and despite some recession, he continued some level of success with his signature style. Anthikad’s previous film, Makal (2022), Which also tried and dealt with testing , There was a conservative hero who struggled to understand the mentality of his teenage daughter.

But in HeartOne finds a filmmaker, who has a clear intention of better connecting with a younger generation, without, of course, lets go to the audience of his family. Some popular online material creators casting, anthicad is a strange fit in the world, although an industry trend, is not a coincidence. Anyone can also notice the influence of his sons, Anoop Satin, Associate Director and Akhil Satyan, who wrote the story, how he has approached the scenes.

Every thought has a limit. However, in Hridaypurvam, there is a witness to the methods of a novel, in which an idea can be spread to extract and eliminate all its innumerable possibilities. All of this rests on the old attraction in imagination towards the donation of the heart, and the residual relationship that can be for the heart donated to close relatives. Sandeep Balakrishnan (Mohanlal) visited the family of his heart in Pune, on the occasion of the engagement of his daughter Harita (Malavika Mohanan). Some unexpected circumstances force him to expand his stay, causing further complications.

The film, for most of its runtime, is marked by Light Humor, which is aid by striking chemistry between Mohanlal and Sargeth Pratap. Even in parts where another filmmaker may have taken a round to detect more weighty aspects of the subject in hand, Anthikad is rarely away from the humble rhythm on which he hits quickly.

This additional careful approach, in a way, helps to clarify the film with uncomfortable discussions, which could probably pull the film down. Even when the film deal with almost such topics, it does with a delicate touch that will gently shake the boat. Despite these modest turns in the plot, there is never any doubt in our brain how the film will PAN finally, as it plays with the rules of the rest area.

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With the variations of the original idea in the game, Heart To some extent loses its steam in half of its later half. The script writer resorts to some suitability, especially when it comes to the character of the mark, which plays the role of Harita’s fiancé. Adequate screen space, almost with Mohanlal, is provided for Sugeth and Malavika, who manages to explain the two what they needed, although Siddiq is included as siblings involving Siddiq, which is related to the brother-in-law. Mohanlal has continued his recent good form, a film on his shoulders, apart from those imagined, with any major struggle.

with HeartSatyan Anthikad crafts a light entertainer by pulling a thin plotline and taking out all possible laughter.