Anand Sachidanandan’s performance was a movement for Raman Maharishi

Acharya Bharatm’s Natyarangam was concluded with a deep reflective production on Raman Maharishi performed by Anand Satchidanandan, the 27th annual forecast of Natyarangam.

Opening with the story of his birth, the presentation eliminates divinity in the very work of his arrival. Marks from the point of view of light of blind midwife. It is said that he experienced the vision of bright light in his moment of delivery. Anand discovered this moment with peace and grace, inviting a sense of fate that was flowing in spiritual light.

The choreography then went into search of Arunachala, a name that was echoed in the heart of the young Venkatraman, before he could start speaking. , Anand’s actress captured the innocence of childhood here, when the word was found to her worldly anchor in Thiruvanamalai.

Ramna’s spiritual chase

The dancer went into the major moment of death-awakening, which turned the boy into a spiritual seeker. Anand still lay down completely, when the breath stopped stopping, the body became sedent, and the eternal self was detected. His peace on the stage expressed more than the movement, echoing Maharishi’s method of teaching through silence.

The trip to Arunachal was depicted neatly by Anand Sachidanandan, whose choreography was inspired by Raman Maharishi’s life and teachings. , Photo Credit: Srinath M

The trip to Arunachal was shown with simplicity and devotion. Anand left Ramna all her belongings, just keeping a simple looting, and entered into deep meditation. The statement remembered how Ramna was unnecessarily unnecessarily when the worm was bitten. Anand chose it not to act dramatically; Instead, he used calm and subtle movements to show Raman Maharishi’s calm strength and inner peace.

Later, Maharishi’s encounters were brought into life with episodes family and devotees. His mother’s silent response to the arguments, which was presented as peace, lifted a deep weight. In contrast, his earlier Upas and later the teachings spoken were depicted through gestures, who had suggested writing and speech, emphasizing the arrival.

Particularly stimulated Hornet’s nest was a sequence of nest, where the sage’s non-proliferation highlighted his compassion. The dance then moved to how, Ramana directed her mother through the metaphor of appam making, equalized it with the path of self-incense. Anand infected it with gentle humor.

The closing attracted Strands together with the Arunachala song. Sitting in a prestigious posture of meditation, Anand still became a hill-size, dancing into silence as a dance image.

The production was extended by a strong supporting team. Ramananjali scored, while Adithyanarayanan handled the composition and voice. The orchestra included Sarvesh Karthik (Mridangam, Urumi, Effects), Jayalakshmi Anand (Nattuvangam, makeup, costumes), TV Sukanya (violin), and Sashiradhan (flute). The statement was made by Aishwarya Neelkantan.

Anand Sachidanandan’s thematic production was a tribute to Raman Maharishi. , Photo Credit: Srinath M

With the help of additional or flourishing, the production paid a calm, reflective tribute to Ramna Maharishi. It was an evening where the statement, dance and music together reminded the audience that Maharishi’s message was never about the spectacle, but about looking at the truth.