Director: Michael Cheves
Cast: Vera Farmiga, Patrick Wilson, Mia Tomlinson and Ben Hardy
Rating: ★★
Back in 2013, James Van of Magical The audience gave the audience a welcome blow by dressing retro haunted-house tricks in a clever modern package. The series quickly evolved into an expanded universe of cursed dolls, haunted nons and demon-affected families, but at the center were all Ed and Loren Warren, which were played with surefire punishment by Patrickle Wilson and Vera Formiga. After more than a decade, Funeral They have been picked as sending their grandeur. Unfortunately, what a chilling should have been farewell, a laborious farewell feels more like a sermon – a one that lasts for a long time, often creek and barely intimidates a handful of effective.
The film opens in the mid -60s, as Warrence stated a demonic encounter with the birth of his daughter Judi (Mia Tominson). After that year cursed the mirror from his previous resurrection, a Pennsylvania family, once in the headlines, harassed a Pennsylvania family, smels. Warrence is called back into action in 1986, now out of the old, step out of step and their relevance. As the investigation comes out, pulling the edges closer to the house, pulling Judi and her fiance (Ben Hardy) into the crossfire.
The demonic intervention begins as a case study, which is in an predicted face-off, where the trust and marriage of warrance should win evil once again.
https://www.youtube.com/watch?v=bmgfsdyoeeoo
Good
There is no denying of Patrick and Vera’s commitment. Even when the dialogue takes a dip in the sermon, the two carry themselves with an honest that has always been the strongest property of the franchise. Their dynamic – their firm belief, their mental philosophy – still lend a human heat for otherwise flat content.
Some images descend well: Judy was lost in a hall of the mirror while trying on her wedding dress, or a cursed reflection that indicates on infinite fear. For a moment or two, you affect the chronic ability of the franchise that mix emotions with emotions.
bad
But those moments are fleeting. For the bulk of its bloated runtime, Funeral The book seems like a rehabilitation of every haunted house clinch. Dreadful dolls, shady stairs, distorted faces in mirrors – all are deployed with accuracy that telegraph the fear long before arrival.
Director Michael Chews, who was already overwhelmed The devil made me do it And Nun IIAgain struggles to inject urgency. Their sets end up their reception, impure instead of building stress. The Smal family, allegedly fades in central, irrelevant to the plot, makes the story completely skeptical towards the vigor. This narrow focus converts the film into an emotional family drama, which is horrified as a horror.
The script also looks at its sense of understanding. Marketed as a disastrous chapter for Warrance, the film distributes slightly more than the reheated melodrama. Faith, prayer and love once again victory without any real cost. Even the soundtrack options are stuck in another era, combining the spirit of a franchise, playing such boomers-hurry for a audience that is no longer satisfied with only surprise.
Decision
Until the credit roll, The Conserving: Last Rights It is confirmed that many are suspicious – this franchise has run its course. The beginning that started in the formula as a sharp, atmospheric chain, you can predict with intimidation, the characters you have already seen tested and resolutions that feel like a foregone conclusion.
Patrick and vera remains hypnotic, but even their presence cannot overcome the creative fatigue of the film. Instead of a spinal cord, Funeral Plays like a hollow ritual, excluded from liability rather than inspiration.
