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Is the Netflix-Warner deal a threat to cinema? , Explained

the story So Far: On December 5, Netflix said it would acquire Warner Bros. in a massive deal worth approximately $82.7 billion, including its film, television studios and premium streaming properties such as HBO. This merger marks a paradigm shift where a new-age streaming platform is absorbing a traditional Hollywood studio and transforming it into a fully integrated production-cum-distribution powerhouse.

What does the deal grant Netflix?

The deal potentially gives Netflix unparalleled control over content creation, ownership, distribution and exhibition. While this merger would expand its content library, reduce costs, and realize economies of scale for Netflix by integrating production and distribution, it could also come with steep costs to the creative industries, independent voices, consumer choice, and the cinematic experience.

Have platforms changed viewing patterns?

Streaming platforms like Netflix, Amazon Prime Video, Disney+, and others have dramatically changed the way audiences discover and watch movies. The on-device and on-demand viewing experience has disrupted the traditional model of theatrical release and serialized launch. Streaming platforms have made vast libraries of movies, TV shows and documentaries instantly available to subscribers globally, creating a new home-viewing, binge-watching and direct-to-streaming release experience. But this revolution comes with trade-offs. The rise of streaming has not only ended the dominance of theaters but has also changed the type of content platforms of choice. For example, serialized series and content produced for subscription models are distributed more frequently than standalone films. This merger will reshape the streaming medium from the inside out, not only consolidating who owns the content but also deciding what is created, what is promoted, and what viewers watch.

How is streaming shaping content?

When Canadian media theorist Marshall McLuhan said, “The medium is the message,” he meant that any new medium reshapes our patterns of engagement, scale, and rhythm more profoundly than the actual content itself. In that sense, streaming is not just a delivery mechanism for more movies and shows, but a different medium altogether, which changes not only how stories are told, but how often and under what constraints they are produced, distributed, and consumed. The merger between Netflix and Warner Bros. crystallizes this shift by centralizing not only libraries, but also creative and distribution power into one integrated ecosystem.

In a world where movies are watched on laptops and phones, in fragmented viewing sessions, often in conjunction with other activities, the aura of the cinematic event – ​​the dark theatre, the mass audience, the immersive scale – is lost. The medium of streaming has subtly changed the expectation of a “film”, from a crafted, single, communal art event into a disposable content that can be watched in isolation, and indulged in an endless stream of short viewing sessions. With this deal, the streaming medium will become even more homogenized and centralized as the combined entity will control not only the distribution but also the production and curation of content at scale. And the “message” embedded in this medium will likely favor content optimized for streaming metrics like high volume and frequent releases, rather than bold, challenging or experimental filmmaking that cares about cinematic form, pace or theatrical experience.

How will this threaten creative freedom?

This deal comes with several intertwined risks to creative freedom and consumer choice. Following the vertical integration of production, content library, and distribution under Netflix, creative decisions may face greater corporate control and business pressure. Project approval, budgeting, and promotion would have to go through an entity that prioritizes algorithmic decision making, and reward scales and predictability over new creative ideas.

Independent or risk-taking filmmakers may struggle to find a place in such a system. Projects that demand a slow pace, unconventional narrative, niche appeal or artistic experimentation may be de-prioritised in favor of safe, formulaic content that drives subscriptions or data-driven viewing habits.

In such a system, consumer choice would be influenced by what Netflix recommends. Although streaming once promised diversity and democratization, consolidation may reduce the diversity of voices and viewpoints. Just check out the top 10 trending movies that Netflix recommends to you. Do you find any of them worth watching simply because of the intrinsic value of each film, or were they introduced to your screen because they followed a larger social trend? This type of curation pushes highly advertised and controlled content towards consumers. Ultimately, this deal will further dilute the cinematic experience that makes watching movies so much more enjoyable. Movies may be increasingly tailored for streaming consumption that prioritizes short attention spans, episodic structure, and immediate hooks.

How will competitors change their playbooks?

Competitors like Disney+ and Amazon Prime Video, HBO Max (though included under the deal) and smaller streaming services now face a dramatically changed terrain. As a dominant, vertically integrated super-major emerges, rivals may be forced to strengthen themselves by forming alliances, merging, or doubling down on specific strategies. A potential new wave of media consolidation could spread throughout the industry, reducing the overall diversity of independent platforms. Some critics are already suggesting that the merger could force further changes or smaller players to leave. The pressure will not only be commercial, but also existential. The possible reactions of the remaining players can take different forms. Some may turn to regional or niche ingredients, relying on cultural specificity and local flavor to survive. Others may adopt a boutique, art-house-oriented model, emphasizing curation over quantity. But such strategies may struggle against the newly increased reach and marketing muscle of Netflix.

What has Paramount done?

Just days after Netflix’s announcement, Paramount Skydance made a hostile, all-cash, bid of $108.4 billion to acquire Warner Bros. While the Netflix deal focuses on control over production and streaming-distribution, the Paramount bid combines two of Hollywood’s legacy studios, as well as multiple streaming platforms and news outlets.

What are the MLAs saying?

When reports emerged that Netflix was preparing to acquire Warner Bros., US President Donald Trump said the deal “could be a problem”. Democrat Senator Elizabeth Warren labeled the deal an “antitrust nightmare”, warning that it could lead to higher prices, and less content diversity. Republican Senator Roger Marshall said such consolidation would create a “major material concentration” that would harm “consumers, workers, and competition.”

However, the deal will not go through the Federal Communications Commission’s approval process because neither Netflix nor Warner Bros. own broadcast stations. But, it could potentially require Justice Department permission.

published – December 14, 2025 02:45 AM IST

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