It has now become an unspoken rule in the world of cinema – “Don’t expect logic, just watch entertainment.” Commercial cinema has gradually taught audiences to be satisfied with less. First logic disappeared from films, then story and now even the coherence of basic filmmaking is beginning to seem optional. When it is advised to leave everything outside the theater, the question arises, what is left inside? The answer is obvious: only loyal fans, who endure an entire film based on nostalgia and a glimpse of their favorite star. Pawan Kalyan starrer and Harish Shankar directed ‘Ustad Bhagat Singh’ is also a film in the same category, which instead of living up to the expectations, proves the same fears that arise from a commercial product.
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the plot
The story of the film revolves around ‘Bhagat Singh’ (Pawan Kalyan), a domineering and honest police officer. He is posted in a police station in the old city which is a hotbed of crime and local gangsters. Bhagat Singh has his own unique style – he applies the law in his own way. The story takes a twist when he comes face-to-face with a villain with powerful political influence. It is not just a cop-thief fight, but a ‘master’s’ fight against the system.
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Weak writing and inconsistent dialogue
The writing of the film feels quite dated. Scenes don’t flow into each other, they just ‘exist’. There is no natural connection in conversation; Dialogues often seem like punchlines or setups for ‘lectures’ rather than meaningful conversations. The director has tried to capture the ‘Thikka-Lakka’ rhythm of ‘Gabbar Singh’, but lacks the originality and timing that made that film special. In one scene someone casually asks what “Jai Sri Ram” means – not out of curiosity, but to give the protagonist a chance to deliver a long monologue full of mythology.
Pawan Kalyan: The only shield of the film
Frankly, Pawan Kalyan is here in his old form. After some serious roles in the past, he looks more relaxed and playful here. His screen presence makes many of the somber parts of the film tolerable. His comedic timing and spontaneity is what saves the film from sinking at certain parts. However, his character also has some strange and repetitive traits, such as firing bullets into the ground every few minutes, which after a while starts to seem like an annoying habit rather than a character trait.
Director and supporting cast
Director Harish Shankar has tried to present it as a spiritual extension of ‘Gabbar Singh’, but he forgot to update the old tools. As a result, the film feels stuck in the past.
Mr Leela: She has that familiar ‘bubbly’ role that is predictable.
Rashi Khanna: She makes a brief appearance and disappears without effect.
R. Parthiban: He has a presence as a villain, but the lack of depth in the character makes the confrontation seem weak.
Technical side and music
Devi Sri Prasad’s (DSP) music is not up to the standard expected from this superhit duo. The background score also sounds noisy and dated. The cinematography is okay in some parts, but the overall presentation of the film falls far behind the standards of modern cinema.
final call
‘Ustad Bhagat Singh’ may be a treat for fans who just want to see Pawan Kalyan in action on screen, but as a cinema buff it is disappointing. This film is proof that a good film cannot be made with the help of star power and old formulas alone.
Rating: 2.5/5 stars