Rangayan Raghu in ‘Agyathwasi’. , Photo Credit: Special Arrangement
In Agathawasi, Director Janardhana Chikkanna uses settings as a powerful narrative tool. He moves to cinematographer Edwatha Gurumurthy and music composer Charan Raj to create a great experience for the audience. The film supported by Hemanth M Rao claims technical solidity, even hard work to deal with the boundaries of its small thoughts.
The death of an influential person (an ever-free Sharath Lohitashwa) awakens a sleeping city in the Malnadu region in Karnataka. For local people leading a calm and peaceful life, a murder in their city is an impossible incident. What is bad – and a strange funny – how inconsistent the police station in the village is. When there is no place for the crime, the police are used as the bride’s matches, as depicted in the film.
Nevertheless, a senior policeman (Rangayan Raghu), for the shock of local people, declares death as a murder. Janardan included an additional layer for the story by linking the murder of two youths with the lives of two youth, which was honestly performed by Siddu Mulimani and Pawan Gowda.
Agathawasi (Kannada)
Director: Janardan Chikkanna
Mold: Rangayan Raghu, Siddu Mulimani, Sharath Lohitashwa, Pavan Gowda
Runtime: 122 minutes
Story: A police officer starts investigating a crime in a sleeping city and takes him on a path that opens the box of Pendora of the mysteries buried in the city.
Fiery Do you not have a traditional whodunit? The trailer of the film makes it clear that the director is not on the killer; He is more curious to understand what forces someone to kill. Until he comes to that answer, Janardan gets involved in widespread world-building Fiery InOneAtmospheric thriller.
Set in 1997, the film highlights the incident of youth migrating to the US for jobs and education for fuel by IT Boom. This was a time when computers were seen with enthusiasm and caution in small cities.
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Siddu Mulimani adds the right amount of energy to his character Rohit, which is curious and shy, from which he is a youth of the 90s. Rohit’s room is decorated with pictures of Tendulkar and Ali. Advaitha Gurumurthy adds a soft and blurred effect to its frame to establish the spirit of an era. The music of Charan Raj complements the idea of ​​stress beautifully and a murder.
The writing of the film leaves you with a lot of questions. The concept of letters exchanged through e-mail was a great idea, perhaps highly reliable to the audience. However, communication between two lovers apart from circumstances is not interesting. Dilutes the intensity of the comic story at unexpected places. The high moments of the film fall amid some notable flat scenes. The story technique of repeatedly showing the same events is not completely effective because every time we see them, there is hardly any new approach to those characters.
The weak final task provides a total end for the film. Even when the director is a murder, the cause of the crime is not enough, it is not enough. After revealing it too late, the director is difficult to create an emotionally resonance events in the last few minutes.
Ryunana Raghu ensures that our curiosity remains intact. role in Fiery He has another departure from comedic and exaggerated characters Vein (2024), The actor, which was terrible Moore krishnappa (2024), Revelation in its 2.0 edition.
Watching Fiery A novel is similar to reading that describes its people, location and culture in detail. There is also a touch of mystery as well. The conclusion will appeal to those who are more interested in the psyche of a criminal than the shock associated with the crime act.
Agnyathavasi is currently running in theaters
Published – April 11, 2025 07:14 pm IST
