Aparna Mohan and her latest Bharatanatyam Recital

Aparna Mohan’s Bharatanatam repetition, although contained in the tradition, was a freshness for it. From the trained Trishurand under Guru, Shafikdin and Shabana, Aparna presented a well -structured repetition, which was a part of the Natyarangam monthly chain.

He started with a Ganpati Stuti in Raga Tilang and Adi Tala, a composition of Agathiyar, titled ‘Prabho Ganpatat’. This opening piece was made with clarity in the footwork and composed expressions, installing a devotional tone for the evening.

The central piece of the evening was raga Anand Bhairavi and Adi Tala, the raga, ‘Saki Idha Veliyil’ by Tajavur Quartet. This composition depicts the yearning of a heroine for his beloved Lord Rajagopala of Mannarguri. Aparna portrayed the conversation between the heroine and Harsaki with clear manifestations. It was especially notable eye to its subtle use, expressing love, longing and impatience. The literary (narrative sequence) was brought out with clarity, especially when she compares her friend to a peacock or when she is killed by arrows of Manmatha. His footwork was well and full of confidence, providing a rhythmic depth without heavily the emotional aspect of performance.

Aparna Mohan portrayed a young woman’s craving well for Lord Nataraja. , Photo Credit: Akhila Ezavaran

This was followed by Padam, ‘Theruvil Varano’, which was composed by Muthu Thandwar in Raga Khamas and Roopak Tal. This announcer piece allowed the dancer to go deep into the realm of acting. Lord Nataraja, as a young woman, was telling her expressive story. The moment he imagined that the Lord had stood at his door and painted the mysteries delicately. The movements of his hand were soft and accurate, and subtle changes in expression effectively occupied the infections from hope to frustration and finally, the acceptance.

Aparna concluded her repetition with a lively Thailana in Raga Dhanashree and Adi Tala, a composition of Swati Tirunal. This sharp piece provided a fitting end for performance. Choreography demonstrated a clean rhythmic pattern, while her dress and jewelery added to the visual appeal. Nattuvangam support kept the rhythm alive.