Mysore Chandan Kumar demonstrated his artistry with a well -cured song list. , Photo Credit: Jothi Ramalingam B
The lyrical praise is integral to enjoy Karnataka music as its music aesthetics. It keeps instruments in an underlying damage. However, they can overcome this limit to a large extent through ancient tanwala quality, correct shriva alignment, and a sports technique that reflects literature closely. A low-raw route is to bend over the mastery on the mastery, to produce a hollow tune involved in gimmicks designed for applause rather than artistry.
It was charming that two artists clearly retained classicism, which opposed the greed of the contradiction. As a result, Vishwas Hari (Mandoline) and Mysore A in the early day of the 36th music of the 36th music of the 36th music of the Susara Trust at Bhatyats Vidya Bhavan Mini Hall. Back-to-back concerts by Chandan Kumar (flute) proved to be a dual pleasure.
Mysore A. Chandan Kumar (Flute), VV Ravi (Violin), Naveli Narayanan (Mridangam), and BS Purushotham (Kanjira), | Photo Credit: Jothi Ramalingam B
The recurrence of Chandan Kumar was a revelation. With VV Ravi on Violin, Neveli Narayanan on Mridangam, and BS Purushotham on Kanjira, Flotist performed his impeccable artistry with a well -curate song list. Sahna Vernam ‘Karunimpa’ made a lively start before presenting two opposite Dixit Critis by Thiruvotriyur Nyamyar. His Kalpneshwar flowed easily for ‘Siddhi Vinayakam’ (Chamram-Rupakam), while in Dwijavanti, ‘Akhilandeswari’ came out at a untoward speed, lending to a soothing touch.
Floatist’s Severy Alpana, loopy phrases, tonal modulation, and gumkus, especially in mid and lower octas, were refreshed. Syama Sastri Kriti ‘Sankari Samkuru’ (Adi, Tisra Nadai) was played with Flair, and Chandan Kumar’s Manodarma participated in vowels in ‘Syamakrishna Sodhari’ in Saras.
This was followed by two compositions of Tyachag. ‘Anupama Gunambudhi’ (Atana-Khanand Chapu) determined the speed of ‘Raksha Patetare’ in Bhairavi before the main piece. Chandan Kumar once again allowed the grandeur of the raga to flow systematically, adopting the tempo in a raga essay. Ravi’s reply upheld the melodious appeal. After a clean presentation of Utsav Samaprada Kirtana, which tries to remove the evil to God, Chandan Kumar handled Swarprastara at the inauguration of Pallavi, combining the supervision with aesthetics.
After Swati Tirunal’s Baig Javali ‘Saramena’, recurrence ended with the popular Othukadu Venkat Kavi song ‘Alpayuday’. Ravi and Narayanan demonstrated the value of the experience with sensitive support. Narayanan’s Tani avatar with Purushotham was shown to be absorbed exchanges.
Vishwas Hari manipulated the Raga Alpana of Nagaswarli with cleverness. , Photo Credit: Jothi Ramalingam B
Earlier in the evening, Vishwas gave Putur T. Gave a commendable mandoline repetition with Nikshith (Mridagham) and Sai Bharat (Kanjira). Opening with Purnashitar Kriti ‘Gananayakam Bhajeham’ at Purnashitar Kriti, he capted it with a brief Swara section. It can be noted that another school of thought provides the raga of this composition as Rudrapriya.
Vishwas showcased the confident understanding of Nagaswarali in his Alpana before Patannam Subramania Iyer took ‘Garuda Gamana’. Swarakalapana was cleverly killed for Pentatonic Janya of 28th Malakarta. In Bindavani, Tyagaraja’s ‘Kamalapta Kula’ made Pallavi to Pallavi’s ‘Annani Vinvintura’ to take the rare raga Urika (Adi – Tisra Nadai) to take on an audav -nodava scale, which leaves ‘da’ from Simhendra Madhyam.
Putur t. Vishwas Hari with COMPANIED by Nikasith (Mridangam) and Sai Bharat (Kanjira). , Photo Credit: Jothi Ramalingam B
Vishwas coined Kalyani, expressed his essence in a careful exploration. It was marked by elegant phrases, some of which were optional among Ashtak. Tyagaraja’s attractive ‘Vasudevani’ was the main song and Vishwas played it with the correct quotient of Gamkas. A vibrant Swara Marg ended in a Tani avatar, where Nikshith and Sai Bharat impressed with interesting Lea Force. The concert ended with ‘Govardhana Giridhara’ of Narayan Tirtha in Darbari Kanada.
Published – March 12, 2025 09:13 pm IST
