Delhi p. Sundararajan recently expressed the beauty of Sanskrit critical in a concert

Delhi p. Sundararajan displayed his command on Sanskrit compositions at a vocal concert organized by Sangeet Academy at Kasturi Srinivasan Hall. Shri Gopinath and Shertalai R. on Violin. Anantakrishnan was compatible on Mridangam. The concert was organized by Angikolai Dr. C. Chidambara was done by Krishnan under the settlement launched in memory of Ganpatgal and Meenakshi Chidambaram.

While Muthuswamy comes to Dixit’s mind when we think of Sanskrit Critis, Sundararajan also presented the works of other musicians: Maha Vaidyanath Iyer, Annamacharya, Tyagaraja, Narayan Tirratha, and Otukkadu Venkata Subbaiyer. In some compositions, there were solukatas associated with rich verses, while others were decorated by Chittaswar route.

The concert started with the Jannajani work ‘Pahimam Shri Rajarajeshwari’ (Maha Vaidyanath Iyer). Sundararajan earlier introduced a verse and scored it with Kalpneshwar. Subsequently, Sundararajan proposed ‘Devam Bhaje’ (Hindolam, Annamacharya). He warmed up with the Kriti ‘Shabo Mahadev’ before the Varvarti raga Alapana, (also known as Kamvardini, Thygaraj). Swarprastara was used to decorate, ‘Paramadakara Mrigadhara. , , , ‘In the Charanam section of this song.

His singing obtained traction with a well -goal little Alpana before the Central Peace ‘Srikrishm Bhaja Manas’ (Muthuswamy Dixit). Kalpneshwar was on ‘Shakti Chakra Gada Padma Vanamalam’. The audience soaked Krishna’s imagination that Dixit is made in this work. The violin player also came with a fitting reaction.

This was followed by Tani Avataranam by shirtlai Anantakrishnan. Sundararajan concluded the recurrence with ‘Madhav Mamav,’ (Nilambari, Narayan Tirtha) and ‘Matharam Bhajath’.

After the concert, the listeners were already presented by ‘Shabo Mahadev’ in the Critis ‘Natwara Taruni’ (by Kannadagovla, Otukkadu Venkat Sabbire) and Raga Pantuvarli (Thayagaraja).