Performance at the dance festival of Divya Goswami Sangeet Academy. Photo Credit: K. Pitchhumani
Kathak dancer Divya Goswami’s themed show ‘Akidat’ (Earth Vishwas) was a tribute to the 18th -century Punjabi poet Fazal Shah to love through Fazal Shah KissasIt was a poetic that was Praveen D. Beautiful music was coming together by Rao and poignant Kathak. Divya combined her grace and accuracy of lyrical liquidity in retailing centuries old romance between Sohni and Mahival (popular Punjabi love story).
Curtain opened on stage, opened for Divya, “Pyaar..lov..love .. what is love? Some people say that love is a river that sinks the need … Love is a storm that you have a storm Uproot from the original … a little of you, a little bit… “he said.
He followed it with a call for divine love with the Punjabi song ‘Eveval Amad Sunta Khuda Tain’ in Sufi style in Yaman Kalyan and Ada Tal. It was sung by Kerthi Kumar. ‘There was no hurry because the dancer returned to the audience, and set a tone with him, and Madhur Alp (Siddharth Belmannu) captured the magic of love.
Divya followed the abstraction with a piece of Narata in Kishore Taal (16 Beats), in turn 3S and 4S in the 4s, some known, some yield-improptu and some parana. The beautiful wrist and accurate time marked them, as he ended with a round and a sharp stop.
The performance was a spontaneous mix of dance and music. , Photo Credit: K. Pitchhumani
She did not leave the stage for one and a half hours. Sitting again, he talked about this 19Wan A Century Trip Love Story between a beautiful young woman and rich businessman-now Buffalo-Square.
Wearing clothes, sohni, lifting her ripe pot on the way, dances her way to Chenab. ‘Tang Tang’ he taps at the top, and under ‘Dhan Dhan’, showing the nature of the pot. As she fills it with water, she sees the reflection of a beautiful man. She looks up and gets her eyes. Thus they start Sikcha IshaqMusic and Prakash (Karthi Kumar and Yonita) enhanced this brooing romance.
The craving to meet her, she creeps out of her house, takes her pot bravely, taps it to check, and jumps into the river. Once she reached the opposite coast, the lover united in a waterfall of Narita-they were beautiful thirds, in turn with strong parano, interesting Parmelu animal-boat with ‘DH Ri Ri Kukku’. A arrest was also a sequence of 30, which was well received.
The Divya dancer is not a dramatic, dramatic-necklace. She prefers to stick to a pleasant, well -timeline style; The story is always bigger than rhythm.
Sohni has to visit another day. This time, there is electricity and heavy rainfall. He is vulgar. Finally she decides to cross the river. When she takes utensils, she easily knows that it is not the same. Someone has replaced it with an unrelated. Since she has given her word, she jumps into the tempering water. Between the crocodile and the dissolved pot, she dies.
Mahiwal is searching for him from the other side. Tearing, he realizes Quarrel (Sacrifice) and jumps into the river, holds it tightly. ‘Akidat’ ends with some excited tatkar, while the commentator is talking about the power of love and the high-picked music keeps the tragedy in our mind. Visualization (Divya), Lighting and Music were present – artists brought out the high play through the language of suggestions. Other actors were Sameer Rao (flute) and Shruti Kamath (Sitar).
Published – February 05, 2025 02:46 pm IST
