Flotist Jayaprada Ramamurthy paid a traditional rent at the Venuganam Festival

Between the equipment, the flute is one, which is based on the most fundamental signal of life, which is breath. Jayaprada Ramamurthy, who recently performed in Mudhara’s Venuganam series, is the daughter of singer Premra Ramamurthy. That flute is Punyaso N. Was advised by Ramani.

His deep Bhairavi Alpana was followed by the ‘Balagopala’ of Deekshati on Lord Rajagopala of Mannarguri. This work is in the eighth (Sambodhana Pratama) Vibhakti. He made full use of infinite scope to work, which was offered by the work and captured embedded devotional juice in the songs. He decorated it to Gamkas and Swaraprastras. On violin, Chidambaram Badrinath gave an errorless reply to Alpana and Kalpana.

Chidambaram Badrinath on Violin with Jayaprara, Melakveri. Of Balaji (Mridangam) and Adambakkam. She was with Shankar (Ghatam). Photo Credit: Courtesy: Mudhara

In the collision department, Melakaveri. Of Balaji (Mridangam) and Adambakkam. Shankar (Ghatam) enriched Swaraprastras with anticipation and capacity. His taile was pleasant with clever infections.

The operation of both the long (with a deep base) of Jayprada and the operation of the short flute extended the raga in the songs. Another comprehensive raga fusion that stood outside for her manodarma was pantuvarli. He chose a beautiful Uthaukkadu Kriti, ‘Ati Nirupama Sundarakara’, which stars Tisra Gati and Chataura Gati patterns. Infection from Tisra (Pallavi and Anupalvi) to Chataura (Charanam) was seamless. Percurations lived for work.

Earlier, Jayprada started a concert by Annamacharya with ‘Vandham Jagat Vallabham’ in Hamsadwani (Khanda Chapu). Again, the Swars in Pallavi were with a rhythmic pattern. Chidambaram Badrinath embellished the work with his soft bending technique. In Kalanidhi, Tyagaraj’s ‘Chinna Nade Na’ was the seal of Ramani’s style.

After a small sketch of Kapi, he played the role of ‘Ana Thawam Sethanai’, a popular work by Papanam Shivan. Jayaprada concluded her repetition by Swati Tirunal with ‘Bhaja Bhaja Manas’ (Sindhubhairavi) and Lalguri Jayaraman with Revathi Tilana (Mishra Chapu).