A crazy mix of disparate elements that never achieves the seamless fusion that the creators want, game changer, Writer-director Shankar’s first Telugu venture, hampered by a scrappy and incoherent first half, is designed to play off lead actor Ram Charan’s explosive action hero persona.
The star shines brightly but the film does not live up to the claims the title suggests.
angry young man game changer He pays a heavy price for what he is. So, after the intermission, the film and its protagonists change their stripes drastically to make room for a high-minded, politically charged social message about electoral malpractices, corrupt politicians and the role of a committed bureaucrat in the overdue cleanup. Are.
Needless to say, that construction game changer Rests On has nothing new to offer. With the exception of a stylistic flourish here or a colorful fantasy there and a lensed musical number, the film struggles to deliver anything that could be considered truly inspired or original.
The game-changer protagonist, Ram Nandan (Ram Charan), District Collector of Visakhapatnam, pursues his brand of electoral reforms as his chief rival, a fearless Bobbili Mopidevi (SJ Surya, who is deposed to her heart’s content) , make a bid for the chief. Minister’s chair.
The latter declares that he has no respect for the law. The former, no matter what he leads us to believe, does not shy away from taking the law into his own hands, of which the film provides ample examples.
But of course, the audience is bound to see one man as the hero and the other as the villain. No nuances of any kind are allowed in the film.
but first game changerProduced by Dil Raju’s Sri Venkateshwara Creations, the story takes over an hour to show the audience the point where a fearless election officer vows to stand in the way of a crooked politician’s selfish ambitions. Where do heroes come from?
The film skips many of the usual signposts, from the hero single-handedly fighting off a gang of goons on a train passing through (what else?) Uttar Pradesh, to the suaveness of an unsuspecting IAS officer after changing out of a policeman’s uniform. Dons the costume and, in a long flashback, appears as a college student who has severe anger problems and a love affair that ends unceremoniously.
He miraculously performs the act without a single strand of hair or a single scratch on his body, meant to impress upon us that Ram Nandan is no ordinary bureaucrat. More than using his pen to sign orders, he demonstrates the strength of his fists.
The girl Ram Nandan is in love with, Deepika (Kiara Advani, who comes to the fore only when the script involves a song and dance set or she feels the hero needs a pep talk), is almost a Is the idea of. After all, what would a super-manly man be without a beautiful woman in his arms or riding pillion on a motorcycle?
Does Deepika have anything more to contribute to the development of Ram Nandan? Well, she does. She wants him to find meaningful solutions to problems instead of resorting to violence. Control your anger, Deepika tells Ram Nandan. He takes the advice to heart and does everything he can to reduce his anger.
But our man has bigger battles on his hands than the personal and romantic front. Illegal sand miners, food adulterators and those violating fire safety norms get his goat and the culprits get harsh punishment because, as the audience finds out in the early parts of the second part, their The father (Ram Charan in a double role) was a fanatic. Anti-corruption activist and formed a pro-people political party with the aim of eliminating the power of money from public life.
The policemen who arrived with the arrest warrant disrupted Ram Nandan’s wedding. He is accused of slapping a minister. He has been summarily taken away.
Handcuffed in a police van – his tormentors are generous enough to allow him the free use of one hand – and in an immaculate white groom’s attire, the IAS officer takes on the murderous goons, until , in a lucky break, the dice suddenly turn in his favor.
game changer The film is full of action, but there is no logic in it. It goes back and to the side, in the latter case literally in the form of a sidekick (comedian Sunil) who can neither walk straight nor look anyone in the eyes.
This guy is supposed to be an entertainer, but the gags he delivers aren’t particularly funny. But let’s hand it to the movie, it doesn’t stop trying. Even in the bad guy’s camp, it attacks Jayaram in an ill-advised clown avatar.
Jayaram plays Mopidevi’s elder brother, who willingly steps aside when the younger brother stakes a claim on the infamous political legacy of their adoptive father, Chief Minister Bobbili Satyamurthy (Srikanth).
In the film’s opening moments, the old man is on the verge of crying, but returns to recovery from the hospital’s ICU. He ordered that, in his last year as Chief Minister, no one in his party and government would be allowed to make money at the expense of the people.
Whatever the reformed politicians say and do goes in vain. But, overall this is also the destiny of the film. Its ups and downs are wildly arbitrary, designed with the sole purpose of ensuring that Ram Nandan – he believes his USP is his unpredictability – is never forced to give up the upper hand to the scheming, power-mad minister Mopidevi. You will not have to give your hand.
In a particularly prolonged abuse match in the office of the Minister and the District Collector, both men attack each other and counter their powers. You work for money, I work for the Constitution, roars Ram Nandan. Mopidevi has no answer.
game changer There has never been a shortage of fanfare when it comes to wide-ranging plausibility and finding easy answers to complex puzzles. The second half of the film is much better than the first, but they don’t add up when watched together.
It is undisputed that some parts of game changer Will attract your target audience. Whatever the case, if you’re not part of that segment of the audience, this is a film that should be left alone to deliver its wares to those who care about the kind of cinema it represents.
