Ghibali’s hayo miyajaki is irreparable, the AI ​​trend between the son says

The picture, taken on March 24, 2025, depicts Japanese Animation Director Goro Miazaki, son of Hayao Miyajaki, during an interview with AFP at Studio Ghibli in Tokyo. , Photo Credit: AFP

Artificial Intelligence Risk to take the jobs of Japanese Anime artists, but nothing, can repeat the miyamaki, such as the creative life of the studio behind the classics behind the classics spirited AwayHis son told AFP,

Thanks to the new image generator of CHATGPT, the Internet is waking up with a copy of the eccentric style of the studio Ghibli, increasing the fresh debate on potential copyright violations.

Movies like My Neighbor Totoro And howl’s Moving Castle Their juicy nature and fictional machinery are famous for hand drawn.

While the studio has not commented directly on the trend of the image, 58 -year -old Goro Mijaki predicted that artificial intelligence could one day change the animators.

“It would not be surprising if, in two years, there was a fully made film through AI,” he said in an interview last week.

But do the audience want to see AI-borne animation completely, there is another case, he said.

Despite the rapid change, the new technology also brings the “great ability for unexpected talent”, the managing director of the studio Ghibali said.

He was speaking at the Atellier, who was in the Atellier, San Francisco, a few days before the release of his latest image generator by San Francisco -based chatgate maker Openi.

Openai, which is already facing a barrage of copyright cases, said that it is prohibited to generate images in the style of individual living artists, but “we allow wide studio styles”.

“Our goal is to give users as much as possible,” the American company said.

bittersweet

Japan is struggling with a deficiency of skilled animators, partially because most of the ropes spend years in low paid jobs to learn.

Goro said that digitally lover Jean Z could also be less enthusiastic about the manual labor involved.

He said, “Nowadays, the world is full of opportunities to see anything, anytime, anywhere,” it is difficult to imagine living with the physical work of the drawing, he said.

Goro’s father established the Studio Ghibali in 1985 with Isao Taroomata, which is a year after the subcilic direction Naval,

After the death of Takahata in 2018, Hayao-now 84 and a heavy smoker-76-year-old manufacturer continued to make films with Tocio Suzuki.

“What happens if both of them cannot make anime or not move?” Goro said that when asked about Ghibali’s future.

“It is not that they can be replaced.”

Despite his age, Hayo won his second Oscar last year Boy and heron – Probably his last feature film.

Anime cartoons are usually for children, but forced and hayo, the man “from the man who knew the war”, included deep elements that appeal to adults, Goro said.

He said, “All this is not sweet – there are a bitterness and things that are beautifully involved in work,” he said, describing the “smell of death”, allowed films.

“This really makes the work so deep.”

Goro said that for younger people who grew up in peacocks, “It is impossible to make something with my father’s generation with the same meaning, approach and attitude.”

Even TotoroWith her cuddly forest soul creatures, in some ways there is a “scary” film that examines the fear of losing a sick mother, she explained.

‘Life insult’

As the AI ​​images of the Ghibali-style spread, a 2016 video re-added a video of Hayo as many said that many have shown her despise to technology.

“I firmly feel that it’s an insult to life,” the director says in a small clip taken from a documentary.

However, he was actually reacting to a zombie-like creature-like computer graphic, which he calls “extremely unpleasant” throughout the footage.

Goro joined the Studio Ghibli in 1998 and directed the animation including the 2006 feature Tales from earth And 2011 from up on Poppy Hill,

He also oversee the development of the Ghibali Museum in Japan and the newly opened Ghibali Park.

Goro enjoyed the drawing as a boy and said that he learned a lot by looking at his father and pusher work, although he did not think he could live up to his talent.

“My mother, who was also an animator, asked me not to pursue this career because it’s a difficult and busy task,” Goro said, saying that his father was rarely at home.

“But I always wanted to do something creative.”