‘Ghich Pitch’ Movie Review: Inside the Cramped Father-Putra Dynamic

In the march of civilization, some dear words are in danger of falling from the path. One of them is Gheech pitchIt can be laxly translated as a tight place, but it is a state of mind that cannot be understood even a word. Like the apathy of the 1990s, young filmmakers continue to see it again to tell the upcoming age stories.

It is a template where attention is on providing an experience, and in the hands of director Ankur Singla, emotional and physical architecture feels tangible and honest as he holds a piece of life from three Chandigarh boys who are struggling with hormonal rush and daddy issues.

Set in the 90s Pre-Smartphone India, when the poster of Chandrachur Singh and Sonali Bendre decorated the youth’s walls, and Monsoon wedding Neberhood was playing in the theater, commerce students are invested in their small dreams, when they are oblivious to the bookkeeping of life Gheech pitch Happens.

Kabir Nanda, Aryan Singh Rana, and Shivam Kakar still from ‘Ghich Pitch’. Photo Credit: Special Arrangement

The camera tracks unannounced in a orbit, and we begin to follow the untoward life of Gaurav (Shivam Kakar), Anurag (Aryan Singh Rana), and Gurpreet (Kabir Nanda). The son of a businessman, who is in the business of optics, changes the gaze of gaurav, the back of the world around him when he realizes that his father (late Nitesh Pandey) is in a homosexual relationship.

Meanwhile, high scoring Anurag is a burden on the expectations of a domineering father (Satyajit Sharma), who wants his son to jump several ‘classes’ in a lifetime. He draws those classes with water on the table, and his diaphragence nature becomes a metaphor of how the father inadvertently makes his children a saddle with his unfinished dreams.

Gurpreet wants to become a cricketer, but he wants to run even after a classmate who comes out of his league. Removing your turban and hair seems a solution for the young Sikh, but it stresses his relationship with his devotee father. As Anurag and Gurpreet are discovered, in Indian families, father becomes synonymous with tradition; However, in the case of Gaurav, his father is a victim of custom, and he is suffering from social prejudice.

Ankur produces the teenage angle, and the father-son does not feel dynamic choreographers. Father is not cardboard, and boys are boys, making mistakes, feeling insecure, and looking around social values. The film does not judge its characters, and even more importantly, does not demonstrate its progressive ventures. This seeks the middle ground where both parents and children can inform each other’s world ideas. This is not just cover; The soul of the film, also, is very middle class, capturing its value system and small latent volcanic families carry them to their folds.

Kabir Nanda, Nishan Cheema and others still with ‘Ghich Pitch’. Photo Credit: Special Arrangement

Nitesh, perhaps in his last outing, takes a tears with his depiction of a weak father. Every time someone feels that Geeta Aggarwal has registered all the colors of a mother, she comes with a new one. She reduces the screen barrier between the audience and the actor. Satyajit is skilled, but it is young actor who keeps emotional tapestry on the edges fat and realistic. Late night out without telling the parents, the secret of the vacant call on the landline, the worry of receiving the report card signed by the father, and the stagnation to spend some time in the medical room gives relief to one of the short happiness of school days.

Wrote from the boys’ point of view, young girls in the film exist only to serve the emotional interests of the boys, and there are routes where it seems that we are flipping through the album of someone’s family. However, before apathy, the spirit of Anakur arises Gheech pitch Between two generations.

Ghee Pitch is currently running in theaters

Published – 08 August, 2025 12:44 pm IST