‘Khaike: The Bengal Chapter’ Series Review: Cop on the Red and Green stronghold

Jit in ‘Khake: The Bengal Chapter’

A good student of cinema, producer Neeraj Pandey keeps modifying the chapters that look at the men’s exploits in uniform and fatigue. This is a course where he scores well. After a file in Bihar, which took us to the vortex of caste and crime in Bihar, Pandey and his creative team travel to the east to open a window on the game of sports for power in West Bengal.

A powerful politician and businessman, Baran Roy (Prosecut Chatterjee), Nibedi Basak (Chitrangada Singh) use criminals and policemen to be ahead of the opposition. Ganglord Shankar Barua (Saswata Chatterjee), who has increased from poverty to gain popularity among the underprivileged, does a dirty work for the kingmaker. However, in the politics of fear, Barua aka Baga lost control of his den, when his two entrepreneurs Acholites, Sagar (Ritvik Biswas) and Ranjit (Adil Khan), allow their ego and ambition to improve and they shoot two police officers. To clean the mess, Roy brings an honest police officer to Ajay Mitra (Jeet), for which the ends are more important than the instrument. But, as required, the plan backfire.

Set in a period when the Communist Party was ruling Rost and Mamata Banerjee was emerging as a strong challenge for the Red Fort, the series wants to highlight a symbiotic relationship between politicians and criminals in the state for the Hindi belt. Names and conditions are imaginary but purpose is prosecution. To achieve the boundaries of ideas and imagination, the OTT platform these days cook the same Bollywood dish in a regional pan to create a reliable taste. And when the authors feel that the words are not enough, they cover their boundaries with blood, gore and some explains.

After success Rana NaiduNetflix has cast the stars of the bungalow film industry to create this pan-Indian experience from Bengal. The series has a different taste, but does not work in reverse in Hindi. For example, Maula Maula does not necessarily make a creation Sufi, the yellow cab and the view of the Howrah Bridge do not lend to a Bengali soul of a body of recycled ideas. And the dim light does not depth for a dilattanteish position.

In addition, Jeet is not the best option to lead a Pan-India series, with three Vinsom Chatterjee-Posenjeet, Parambrata and Saswata-in their rank. Jeet is not bad, but there is a very strategicate among the players who reveal in layers. In the role of a manipulating politician, prosenjit is a complete pleasure. With Saswata, he shows how to reduce a piece of furniture in the frame. They raise the inauguration shloka of the series in Bengali-Swad Hindi and perhaps, we are responsible for expecting a lot of benefits from a vehicle that is designed for an average rider that is happy with some kicks in the intestine.

Eagerly, the series bears her strategy of shocks and fear in storytelling with her casting options. While experienced players are closed without much notice, relatively fresh faces are allowed to flex their muscles. It used to work that he had brought some pancakes to match the grace of experienced players. Ritvik and Adil affect the rendering of ten bonds between fire and snow but fail to make themselves indispensable for the story. Adil has a voice and appearance that demands a large screen and looks like the discovery of the series until the writers disappointed her.

Unhappy with a sketch character, Chitrangada struggles in Bangla Milliu. Nibedi is a source of fear for the ruling party, but instead of giving a proper arc to his character, the producers keep on leaving him according to the convenience of explicitly explaining it.

Finally, the series leaves a feeling that to prove the no-Go regions for streaming the veterans with Uttar Pradesh, Gujarat, and Madhya Pradesh, they are opening chapters in East and Northeast and selling them to log on to the variety of materials.

Khaike: Bengal chapter is currently streaming on Netflix