‘Kishkindpuri’ Movie Review: Belamakonda Sarenivas is a horror thriller prostitute, but plays it safely

After the film, the film continues to continue a raw deal as storytellers for cheap adventures for the film, horror enthusiasts – a ghost, a ghost, a woman, and a man who brave to end it all. However, Kashindpuri At least it is clear about not being separated, by hugging your masala mission externally.

KashindpuriShowing a glimpse of a tragedy at a radio station in the 1980s, a very-loving couple in a contemporary timeline shifted with the story of Raghav (Belmakonda Sarenivas) and Mithili (Anupama Parmeswaran), which provides scary experiences in stunned houses through their ghost visits. During the misleading cure, banks more on the fear of their participants.

At least in the beginning, the film is conscious of it Ramayana Connection. Like the epic, Kashindpuri Essentially a small city that resembles a monkey empire. The hero is named after mythological figures (there is no surprise); An intro sequence comes out in a Hanuman temple, where Raghav protects the crowd from a monkey attack, saving a monkey-child from fire.

In addition to the compulsory hero-entrode view for establishing Raghav’s strength, a fictional doubles set in a green foreign locker, the film is usually free from the layer that limits the joys of the style. It rapidly moves between its events, replaces its tone efficiently, intimidates for good effects to jump (although never out to take you out), creates a reasonable strong base for conflict.

Its self-conscious humor helps to mask its clarity with it cleverly. One of the customers in the Ghost Tour is restless about facing the soul. He deteces Raghav about his opposite backstory about the same site, eventually scared, but gives a bad review to the tour. However, the joy ride ends when they are forced to visit a abandoned building, it is unaware of the mysteries that wear it.

As you expect in a horror film with a mythological background, Kashindpuri In addition, there is a conservative side, mentioning a bath in turmeric water to remove evil eyes, set up any article to set fire to a haunted mansion, and protected homes with ‘Samagari’. Even if the story is best functional, director Kaushik Peglapati never oversees his views, but only gives them a new pepping topping.

The storyteller preserves some of his best touch for flashbacks, confusing an ‘incredible storyteller’ (often used in novels) to confuse the audience to identify the audience to identify the audience and confuse the motive of the soul. It keeps you teasing you with its duality and avoids the traditional backstory heard in the same chunk. The soul flips the bodies, plays with the insecurity of the lead, and creates confusion.

However, when you expect it to open lumps and reach a solid resolution, Kishkindpuri Ki Momentum offers all the big life around superstitions and rituals. Teasing about the story of the ghost, although expected, however, increases the curiosity of an audience because they exit the hall.

Kashindpuri A popcorn is perfect for the structure of the entertainer that provides something for everyone – a dose of valor, humor, adventure, drama – and its boundaries. While maintaining urgency in the story, there is some novelty with the way the ghost behave with backstory. The scary elements are not as sophisticated, however; Sound design, art directions are Pachi.

Also, no one can ignore the effect Kanchana 3, Virupaksha, Raju Gari GarhiAnd Ekkadiki Pothavu Chinwara With beauty and plot points. With all good, the whole still does not rise above the sum of its parts. This creates solid expectations, camouflage is civilized, but it plays very safely at important junctions.

In his first attempt with the horror style, Belmakonda Srinivas and Anupama Parmeswaran grabbed the fort efficiently. Sreenivas looks more reliable and insecure than any of its recent outings. Choreographer Sandy continues to impress even after the turn of acting LocaHe brings a raw, intestine energy to Visarvaputra.

Sudarshan and Hyper Audi removed some laughter, even if they were barely in their best. Tanikela Bharani, Makarand Deshpande, Bhadram, and Srikanth Ingar felt their appearance in brief roles. However, Prema’s act is limited, a surprise. Music composer Sam CS is successful in building the horrors in the atmosphere, although the score goes far away in determining an viewer’s reactions in the final stretch.

Action choreography can be more imaginative, although the cinematography provides some authenticity to the setting, which enables a spontaneous transition between the deadline. Knowing by detailed history with the song-dance routine of Telugu cinema, Kashindpuri Opposes its temptation to squeeze in a half a dozen songs for any business obligations.

If it is your only criterion to keep a mobile phone in Bay to judge the efficiency of a film, Kashindpuri Passes muster. Nevertheless, you cannot shake the feeling that it can be a more satisfactory film with a vested approach and better writing option.

Published – September 12, 2025 02:58 pm IST