Meditation, an art exhibition in Thiruvananthapuram, performs colored pieces of disruptive vision

Chapter one of meditation, an art exhibition by Dr. Booban Reshn, which currently presents a glimpse at the Violopili Sanskari Bhawan in Thiruvananthapuram, which actually affects the artist – consciously and subconsciously. The exhibition, showing the ongoing struggle in Gaza, from depiction of the mythological filmmaker Satyajit Ray and the Ritvik Ghatak, to the images of death and decay, the exhibition investigated individual and public in a series of untitled tasks. There are 68 works in this chapter and 42 works in Chapter Two.

Originally from PETA, Boan has been working as a family doctor in Brisbane, Australia for a decade. He uses Italian Fabriano paper as his favorite canvas. Their paint mediums include oil paint, charcoal, pastel, pens, gauche (a water-based paint), chalk and graphite. Says Booban, “I have been using oil paint for the last 10 years. Earlier, my favorite medium was a charcoal and graphite. I also started using a pastel a few years ago. I never used colors when I started painting because I was used for monochromatic art,” Says Boban.

Carefully various artifacts. Photo Credit: Nainu Oman

Performing the artifacts compiled over the last 12 months, Boban says, “I left the works so that people can explain it. There are some ideas in my mind. If I feel differently tomorrow, I will change it,” Boban, “Boban, shows the artifacts compiled in the last 12 months.

The self-centered artist describes his work as “mostly comfortable”, puts his thoughts down through his pictures, almost like magazines on canvas. These include their perceptions of places, experiences and events. For example, in one of his work, he depicts a rural area in West Bengal; Despite not traveling to the place, he has created a piece inspired by Satyajit Ray and Ritvik Ghatak’s films. Booban displays an edge and people on it, inviting an image of Fisarfok.

Dr. A painting by Boban Rumson | Photo Credit: Nainu Oman

The separation appears to be a recurring subject. With charcoal as a medium, Boban has depicted a serious, alone setting in England. There is a tram next to a solitary person in work.

Subjects that embrace other people further highlight the absence of a sense of loneliness or intimacy that many people often yearn. He says, “A lot of loan figures can be found in my work; it appears as if I am limited to that place,” they say.

“Last year, I lost my sister, and many of those feelings reflect in my work. It helps me deal with sorrow, as it is also said that art is medical.” These artifacts dominate yellow colors and despite the nature of the color representing happiness, they demonstrate harm and yearning to their sister. Personal relations or their absence become lameotiffs for exhibition, in which there is no central subject of any nature.

Dr. An artwork in meditation by Boan Rumson. Photo Credit: Nainu Oman

Boban also tries to see his dreams again through his art. Abstract works include animals, objects and even artists themselves; They represent the involuntary and inconsistent pieces of the artist’s psyche, believing. These dream sequences are colorful and contain recurring elements that determine the idea that tasks are connected among themselves.

Boban works by Boban Ramsen about war and violence. Photo Credit: Nainu Oman

A section of four tasks in Charcol depicted violent imagination of struggles around the world, especially in Gaza, the artist says. Mourning places at Mothers and decay sites presented in the Shades of Black are direct reference to serious reality. At the nearest point of view, dance figures present a group of people who make profits from such violence.

KCS Panicer Gallery, Exhibition in Museum and its second chapter is from June 22, from 10 am to 5 pm.