Meet Bowl singer Santhapriya of Kerala

Pozhiyiil kalikkete kunje (Play in mud, children) …Plawint Chutam Ni Adu Kunje (Jackfruit tree, dance around the child), Plavu chirikchal chokpazam (If the tree smiles, you get jackfruit). As Santipriya sings this song, recently there is a smile on the faces of the audience in the music music of Kerala’s International Theater Festival.

The song attacks a quick coordination with the audience, taking them back in their childhood days. She comes with more songs about children and environment. He is taught him by his father, theater stallwart KJ Baby.

Loan Bowl singer Santipriya of Kerala takes inspiration from many traditions, but a common thread is love and harmony. The list of performances of Santhi also includes the words of Shri Narayan Guru, the couplets of Kabir, the songs of Meera and the folk songs of Kerala. All these are echoed with the spirit of the bowl.

To be wounded by sound-it is a young Santhi of Wayanad felt when he first heard bowl music about two decades ago, as Bowl singer Consider Anadil sang in his open voice at Kailaiqat University from Bangladesh to Kailaikat University.

Sandhi had already heard the stories of Bowl from her mother, Sherly Joseph, a revolutionary educationist and a professor of English, and when she heard Anushe singing Lalon Shah’s songs, he killed him that “this is what I want to do, how do I want to sing”.

Sandhi is a disciple of Parvati Bowl, and learned music in traditional Guru Shishya Parampara. Many years ago, when she contacted Parvati to teach her, she said that she could not take any other student. However, Santhi continued and traveled to Nedumangad, where Parvati lived with her husband Ravi Gopalan Nair.

Parvati “Sister“, There was an ease that touched Santhi. She woke up to get up in the middle of the night. I am thankful that I was seen as a young man.”

The villages of Bengal have a unique motorbike-buloc cart ride to meet Parvati’s guru Sanatan Das, still fresh in memory of Santhi. “He used to keep quiet, but his presence was alive.” Sandhi has also traveled to the bowl festivals with Parvati. “In some festivals, she spontaneously tells me to sing with her;

Santipriya has traveled in the villages of Bengal where Bowl is a way of life

Nupur, Actor and Duggi are three instruments which have been done for their performance. These devices have a meaning beyond introducing a rich soundscape. “When you use three devices, your attention is not on any of them, you come in between without thoughts.

Being someone from outside the community, the soul comes with its own test. “In each stage, one must be honest, not to act” the artist says that Sita in Bangalore has been mounted at the Krishnamurthy School in Thought of Thought as part of her studies at Sita School.

Sandhi grew up seeing her father’s prestigious plays NatugadikaKerala Sahitya Academy-Praskar Winning Work Mavelimantram, And Bipurkana It talks about exploitation of tribal communities. As a child, Santhi was a part of his collective singing troupe with the characteristic of tribal children.

Commune, alternative schools and a commune to educate children, which their parents co-established in Wayanad, also impressed them. “All of them made me who I am.”

When his father passed away, there was a video of Santhi singing before living in flames. Well of a song transferred everyone. “This is a way to communicate with a Vaster for this intimate conversation.