“Tron: Ares” may have the tagline “No Going Back”, but Disney does not like to quit on the table. So here we are going back with a third entry in a creed franchise that is somewhat trapped between humans and digital worlds.
Ride-or-dye tron-ix requires some things to be happy-a shiny motorbike that closes light walls, the glowing fricebers that are all attached to the back, and of course, Jeff bridges. Director Jochim Roning gives us all more things more. Probably too much.
“Tron: Arace” cuts a lot-Downstown chases a light cycle through Vancouver, a large-scale, hover vehicle, a jet ski chase, dozens of crushed police cars and endless flip between cars and Earth and not less than three computer grids-a laser attack-a bit after two hours.
How do you go back and still move forward at the same time? Filmmakers have rather cleverly that by including plot points from the first two films and with new characters, they blurred the division between meat and digital world.
We begin with a financial battle between two large -scale technology firms – Emcom and Dillinger – which both have come against the roof of the same artificial intelligence. They can make anything that they like in the real world, which looks like a 3D printer using lasers, but it lasts for only 29 minutes before collapsing in ash.
Leaders of the two firms – Gita Lee, plays the role of Dillinger’s Very Evil CEO, playing the role of Grata Lee, Evan’s White Hat Hacker and Ivan Peters – is in a race to find the hidden stability code, when Bridge Kevin Flyn made back when the world ran back on a floppy disk. The fate of the planet rests on it, which anyone finds it. If it is included, health care and cancer treatment for all; If it is a deiller, which is a new army of supernatural fighters and, we guess, fascism.
Enter Jared Leto, which is the AI ​​Master Control of a Dilinger, which executes the orders of all his CEO boss in the letter and is often reminded that he is worth spending. He and his scary starts with a deputy robotic, but something strange in his wiring – he begins to feel all to feel and be real.
The Leto title is good here as the character, able to give some good lines while executing the rock star start in a screwdite suit, making the deadly lights to become a slow mom somersolts or strengthen its light cycle at the dizzy speed. But this is Lee who steals the show, is a very human action heroine for 2025.
The screenplay by Jessie Wiguto with a story of David Digilio and Wiguto – Jesie Wiguto – adds odd pockets of humor, but is not enough and sometimes bleeding next to a major figure. The “The Vizard of Oz” and “Frankstein” are references and the author makes Leto’s soldier the ’80s synthes pop, especially a serious fan of Depeck Mode, a call-box to roam the music at the time of 1982.
If we are talking about music, we have got to talk about nine -inch nails, who composed “Tron: Legacy” in 2010, who composed “Tron: Legacy” in 2010.
All this conflict and synthesis – which sometimes seems like an advertisement for the ducchy motorcycle – the peaks when friends themselves appear. The repayment of the bridges is, a franchise has a constitution which is in dire need of its calm attraction. “Attractive,” he says with a smile as he meets Lato. Suddenly, it is worth going back.
“Tron: Ares,” a Walt Disney Studio release that hits theaters on Friday, has been rated by the Motion Picture Association for violence and Action. Running Time: 119 minutes. Three out of four stars.
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