‘Oh Bhama Ayyo Ram’ Movie Review: Suhas’ Romkom is free and meaningless

At least you expect a mainstream Telugu film that is passive entertainment, one that provides a migrant enjoyment for at least a few hours. Director Ram Godhla Oh bhama aayyo ram Suhas and Malavika Manoj starring everything but that is. In short, this is a simple story of a young man who is to overcome a sad childhood, which moves forward to fulfill his mother’s dream with the support of his girlfriend.

However, the director displays little control over execution. The film changes the track on a hat drop, which quickly disintegrates in her dialect to pack in romance, action, drama and humor with a handful of songs. The story lacks motion, jokes are not ground, and it is filled with cheese (and inadvertently funny) dialogues.

After losing his mother as a child, Ram (Suha) was raised by his uncle, who has high expectations for his nephew. One night, Rama meets Satyabhama (Malavika Manoj), Angelic Telugu heroine whose sole purpose is to look good, smile without any reason, and to say endlessly. It loves the ‘Sanskari’ hero at first sight, which is well mean and does not take advantage of it even when he is unrelated.

Rama, who plans to go abroad, hate cinema, but has a ‘alleged’ special talent to judge a film by listening to dialogues. Satyabhama is the aspiration of a film, which is describing her in a cemetery, from the lake, on the move, the outlindish plots. Among the blue color, she helps her join the team of a popular film director. Throughout the film, Satyabhama continues to get into trouble and he keeps on saving it.

Amidst silly humor, songs that exit from anywhere and a romantic track with zillch chemistry, you hope to feel for the uncle who has sacrificed everything for Rama. After presenting a decisive character before the interval, the film Rama’s ‘Heavy’ suddenly changes into the past (which and the hams), only to be diluted by a series of inconsistent comedy sequences for it.

In addition to tirelessly loving the girl and capturing work, Rama keeps mourning about his past, splashing the scene after the scene, drowning in the self-daya. Satyabhama is the daughter of love of a business tycoon whose only job is to inspire Rama and who someday dreams of marrying her. Quarrels, songs and emotions find their way in the story, and many conflicts are easily stranded.

If he was not enough, an entire thread is dedicated to Ram’s tests and tribulations in cinema, a desperate Meta The touch was packed with references to Chiranjeevi’s films. A couple of popular directors – Maruthi, Harish Shankar – appear in the Camos offering a life lesson to the hero (which appear as an unwavering as a film). A bhogi climax adds to the distress of an audience and denies any respect for the effort.

Oh bhama aayyo ram Borrowed effects from a handful of movies – Majnu, Amma Nanna O Tamil Ammi, Marao Charitra -And tries to re-prepare a dress-out formula in a random story. This is one of the least impressive performances of Suhas, and inconsistent characteristics barely allow her to settle.

Malavika Manoj, starting her Telugu, has decreased in a decorative character. It is sad to see the writing of female characters to a great extent. Anita Hasanandani’s return is hardly memorable, and Ali’s experience is not kept for good use. The roles of Bablooo Prithiveeraj and Ravindra Vijay are lacking meat. The presence of Sathvik Anand and Moin also does not ensure laughter.

There is nothing to write a house on the technical front. Music is a cacophone for the senses, and cinematography is largely functional. The motivated dialogue could have brought relief to the proceedings. Oh bhama aayyo ram The popcorn entertainer does not even do what you want bare minimum. Everything about it is so simple and forgetful.

(The film is running in theaters)