Written by: Vishal Bhardwaj, Rohan Narula
director: Vishal Bhardwaj
Mould: Shahid Kapoor, Tripti Dimri, Disha Patani, Avinash Tiwari, Tamannaah Bhatia, Nana Patekar, Randeep Hooda, Gaurav Sharma
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Duration: 2 hours 57 minutes
Rating: 4/5
O’Romeo Review: The much-awaited gangster drama starring Shahid Kapoor and Trupti Dimri released in theaters today, February 13, amid huge expectations and intense buzz surrounding its release.
With directors Vishal Bhardwaj and Shahid Kapoor having previously delivered acclaimed collaborations like Kaminey and Haider, expectations are naturally high from this latest outing. The weight of their successful track record puts pressure on this serious love story to deliver something equally powerful. Read on to find out if O’Romeo has lived up to his promise.
Shahid Kapoor and Trupti Dimri lead dark, gritty thriller
O’Romeo comes with the bold claim of being “inspired by true events”, bringing together Shahid Kapoor and Trupti Dimri in Vishal Bhardwaj’s directorial debut. S. Taking thematic inspiration from Hussain Zaidi’s book Mafia Queens of Mumbai, the film creates a fictional crime saga set in the dark circles of Mumbai. This marks the fourth collaboration between Bhardwaj and Shahid, and this creative familiarity is reflected in the film’s textured narrative and thoughtful tone.
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About O’Romeo
Shahid plays the character of Ustara, a contract killer who is desperate to give up a life of blood. His performance is intense but restrained, conveying the weariness of a man trapped in his own reputation. Tripti Dimri’s Afsha is delicate yet fierce, and her quiet strength beautifully balances Shahid’s surging aggression. When Afsha contracts Ustara to eliminate four people, the story takes a turn and a tense series of betrayals, confrontations and moral dilemmas unfolds.
‘Inspired by real life events’
O’Romeo, directed by Vishal Bhardwaj, is a fictional crime drama inspired by real-life underworld figures Hussain Ustara and Sapna Didi, whose stories were written by S. They were recorded in Hussain Zaidi’s book Mafia Queens of Mumbai. Starring Shahid Kapoor as contract killer Ustara and Trupti Dimri as Sapna, the film doesn’t attempt to be a faithful biopic. Instead, it takes a freewheeling, cinematic approach, blending fact with fiction and adding dramatic layers to create an entertaining narrative that prioritizes emotion and intensity over strict historical accuracy.
The biggest strength of the film is its music. The use of the iconic “dhak dhak karne laga” during the opening fight sequence inside a theater is a wonderful cinematic choice. Violence does not erupt suddenly; It grows slowly. As the story progresses, the script tightens and the action sequences gain emotional weight.
a gradual construction
The first part moves a little slowly, but it establishes the world and its characters carefully. Each scene deepens the mood a little more, subtly drawing the audience into its grim reality. Vikrant Massey’s cameo comes as a surprise, although Massey’s brief appearance seems underutilized and does not have a significant impact on the narrative. Avinash Tiwari as Jalal, introduced just before the interval, brings a controlled menace that elevates the second half as his face-off with Ustara becomes inevitable.
There are minor shortcomings. The frequent use of vulgar language, while realistic for a gangster drama, sometimes feels excessive. The pace demands patience, and the length of the film may test some viewers.
The second half moves into far more action-driven and emotionally explosive territory. While O’Romeo may not re-invent the gangster genre, it offers enough intensity and atmospheric depth to justify a big-screen watch. Like Gangubai Kathiawadi, which was inspired by Zaidi’s book, the film takes creative liberties rather than presenting a strict biopic.
final call
In the end, it’s the performance that stays with you. Shahid Kapoor commands the screen with complete intensity, Trupti Dimri brings emotional significance, and Avinash Tiwari adds quiet but effective menace. O’Romeo is based on mood, music and performance.