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Reunion with Ram Gopal Varma after the truth for Manoj Bajpayee police station

Manoj Bajpayee is working closely with the famous filmmaker Ram Gopal Varma after nearly 30 years. The actor has started shooting for Verma’s upcoming horror-comedy ‘Police Station Meen Bhoot’, which marks a full-cycle moment since his prestigious cooperation on Satya (1998).

Manoj Bajpayee shares enthusiasm on reunion with RGV

The acclaimed actor announced the news with an indifferent post on social media. “#Policestationmeinbhoot shoots begin. From ‘Truth’ so far … some trips are to come in full cycle. Our new horror comedy for ‘Police Station Mein Ghost’ is thrilled to reunite with @RGVZOMIN after about three decades. It is a special,” he wrote.

Verma on searching for fear and rights

Ram Gopal Varma, who introduced Bajpai’s unforgettable character in Satya, said that re -joining the actor seems to be “indifferent and thrilling”.

The filmmaker said in a statement, “Working with Manoj again after ‘Truth’ is both indifferent and thrilling. When challenges the highest right of security, fear becomes the most frightening, and a police station is the last symbol of power.”

Mein bhoot about police station

The film will starve Genelia D’Souza as a female lead, with Verma irritated that Bajpayee’s intensity and a combination of Genelia’s vulnerability “would carry forward the boundaries of horror borders under the guise of the authority.”

He also revealed more about the conspiracy on X: “A dreaded gangster is killed by an encounter police and he comes back as a ghost to harass the police station … so the title ‘Police Station Mean Bhoot.” You cannot arrest the dead.

Rajpal Yadav also plays an important role in the film.

A look at the truth: The Cult Classic that changed Bollywood

The truth co-written by Saurabh Shukla and Anurag Kashyap starred JD Chakravaradhi, Urmila Matondkar, Manoj Bajpayee, Saurabh Shula, Aditya Srivastava and Paresh Rawal. The Gritti Crime Drama followed an immigrant in the underworld in Mumbai and strengthened Verma’s reputation as a master storytellor.

Initially conceived as an action film, Verma focused on organized crime after real -life talks with gangsters. Released on July 3, 1998, Satya earned a wide critical appreciation, won a National Film Award, and a Panth Classic was credited to redefine gangster cinema in India.

The influence of the film strengthened its place as a milestone in Indian cinema like Company, D, and Satya 2.

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