‘Robinhood’ Movie Review: Nithin, Serela’s action-comedy is a misfire

Nithiin and Sreella in ‘Robinhood’ | Photo Credit: Special Arrangement

This is one thing that when you are making a comedy and do not take yourself very seriously for the second time, when immaturity serves as a mask to camouflage a lazy-written and a carelessly executed film. For the boundaries of a shallow plot and its lead, the film is desperate for laughter. In addition to Nithin and Srilela, the presence of several comedians, at least half a dozen film industries actors, an in-form musician and Australian cricketer David Warner try to revive a camio.

Telugu film RobinLike its title, leaves your imagination very little. An orphan hero, Ram (Nithin), takes inspiration from the promise of a school to claim that the whole country is his family. In his childhood, he uses this excuse to rob the rich and helps to run the orphanages who are hungry with money (which reminds of Ravi Teja-Starr kickIt is entertaining that it takes the police for more than a decade to focus on the matter and nab the culprit.

As the cat-end-mouse chase comes out, the action turns into India for the return of Nara Vasudev (Srelala as the daughter of an Australian CEO), whose path crosses with Rama. The film later joined Neera’s return, her family roots and the conspiracy behind a gangster, which threatens to wreak havoc on her life. It takes the hero’s forecast route to save the asphalt in crisis, excludes the gangster and develops the police.

While director Venki Kudumula’s earlier films – Let us go And Bhishma -Pathbreaking was not a storyline, tongue-in-garlas and trusted characters were brought to freshness in the story and ensured that the audience got their money worth. In RobinHe opposes a large-to-life canvas, makes a Messiah a free hero and a caricaturish villain (played by a Mumbai import). The conflict point is also tiring. A comedy expecting a relief in a stressful story also becomes flat.

The execution is largely uneven and misleading. The tone of the film changes according to convenience. The audience is expected to make the bad man dreadful, who is heated by the hero’s foolish one-liners, heated by the dream couple filmed in their romantic overs and picturesque places, feels regretted for the victims in a village, hoot for slow shots in action sequences and a particularly ‘special’ number (specially ‘number (special’ number (special ‘number (kiktika sampling). This is all places.

A comedian wears a tea that reads ‘mountains’ because he goes to a hill station called Rudrakonda. A man runs a firm called ‘India’s No.1 Security Agency’ as it will rank high on Google! A security agent, who makes fun of himself, plays a shirt with the logo ‘R-Boku’. Zebra is called the oldest animal on the planet because it is … wait for this … ‘Black and White’, and another person made mistakes of ‘forefathers’ as ‘Four Father’. These are some examples that are Robin Sells in the name of humor.

David Warner in ‘Robinhood’ | Photo Credit: Special Arrangement

Robin To an extent tolerable, when it pitchs itself as a low action comedy, even if it has highly exaggerated characters and wasted conditions. Nevertheless, it quickly gets out of steam. In a story that is about a girl’s attachment to the roots and how a man stands for her, the emotional link is completely. The story is very rare to keep together, and the performance is very few for a ‘Damage Control’ Act and mechanical.

Nithin has performed better in his earlier films. Here, he pronounces his rows with apathy and low -speed shots do much less to add spank to lifeless proceedings. Sreeleela’s character is reduced to a fashion parade.

The experience of Rajendra Prasad has been ruined in a foolish, high-minded role that fails to create an impact. A perennial disappointed expression with the satire and oral feast of Venela teenager lacks punch. Many qualified actors such as Lal, Brahmaji, Devdutt Nez and Tom Shine Chacko have also been ruined. The blink-end-miss cameo by David Warner is unnecessary and inadvertently funny.

Visually also, the film struggles to use its setting well to add to its appeal. The music of GV Prakash (including the very promoted ‘Adhi Dha Surprise-U’) is of average. Nevertheless, for a film that is at a distance of at least 40 minutes, its main issue is incompetent writing.

Robin The audience is not a reminder to underestimate and no scale or big name can fill the zero of a decent script.