Sai Binda Ramachandran discovered innumerable colors of devotion in his performance

On the inauguration of the Mid-Eyer Dance Festival 2025, hosted by the Music Academy, Sai Binda Ramachandran had a recurrence, a meditation and prepared performance of Solo Bharatanatyam of Ramachandran, which demonstrated both his stage maturity and strong training. With Indira Kadambi on Nattuvangam and a highly capable orchestra in Tow, recurrence was packed neatly and aesthetically completed.

The performance was opened with ‘Shankari Sadanand Lahari’, which is a rare Kirtanam in Raga Malavi, which was set in Tala Tala, composed by Jayachmaraja Vodiyar. Sai Bindha started from Invocherry Shloka Soundarya LahiriThe establishment of a quiet tone that celebrates the goddess as kind and liberation force. Her clean lines and inward appearances reflected devotional rasa with remarkable restraint and composition.

Mature approach

Dynamic Jathis and Clear Footwork marked the performance of Sai Burda at the Mid-Eyer Dance Festival hosted by the Music Academy. , Photo Credit: K. Pitchhumani

The focal point of recurrence, Varnaam ‘Swamyi Vara Soladi’, in Purvikalini (Adi Tala), a composition of Dhandayuthapani Pillai of Nor, allowed the dancer to see the emotional arc of a loving heroine for Lord Muruga. Sai Binda navigated the literature with commendable maturity, especially on the routes where the heroine provoked her friend to call her beloved Kumaraswamy, which reveals the moments of frustration with subtle changes in longing, hope, and expression. Even when she infected in more dynamic lives, her footwork remained accurate.

Padam ‘Ninu Joda’ in Pannagavarli (Triputa Tala), who blamed Kushadhya, took out his strength in acting. Here, the heroine’s emotional reunion was performed with a gentle sadness with her long -unaffected dear, which was the gender in the air. Sai Binda’s memory remembered dreams and calm grief’s ability to emit delicateness revealed his sensitivity as an artist.

Lulaguri ji. Repetition ended with a sharp Thailana in Mohankaliani (Adi Tala) composed by Jayaraman. The dancer provoked effervescence and agility through the rhythmic passage.

Abhirma ji with the musicians with the musicians.