Sardaar 2 Box Office Collection Day 4 son: Ajay Devgan’s comedy-drama son, who hit theaters on August 1, entered his first Monday with a noticeable dip in his earnings. Shiddhant Chaturvedi and Triptii Dimri starring Dhadak 2, despite performing better, the film continues to struggle at the box office as the collection slows down.
Sardaar 2’s sons first take a dip on Monday
According to Sacnilk, the film wrapped its early weekends, 24.75 crores, ₹ 7.25 crore on day 1, ₹ 8.25 crore on day 2, and ₹ 9.25 crore on day 3.
Competition with Dhadak 2 and Siara
While the son of Sardar 2 continues to be ahead of Dhadak 2, it faces strict competition from Ahaan Pandey and Siara of Eetty Padda, which continues his strong run. On its 18th day, Siara earned a track2 1.82 crore, according to the trade tracking report, was largely up to ₹ 301.29 crore to its total.
Mrinal Thakur urged the audience to watch the film
Responding to a fan on social media, who wrote, “The way reviews are on Instagram and YouTube, I do not even feel that I am watching it,” actress Mrinal Thakur encouraged the audience to experience the film for her.
He said, “Most reviews are misleading … I will appreciate if you decide how you like it sir!”
About Sardaar 2’s son
A sequel to the 2012 hit son, follows the film Jassi (Ajay Devgan), who travels to London at the request of his wife (Neeru Bajwa), only blinds with his demand for divorce. Heart broke and stranded, he meets Rabia (Mrinal Thakur), who is an enthusiastic member of an all-girl wedding drum band.
When Rabia’s younger sister Saba (Ronnie Walia) falls in love with the son of Raja (Ravi Kishan) – a traditional person who insists on meeting his parents – Jassi and Rabia decided to pose to keep the romance alive as their parents. Thus a chaotic and emotional rollercaster is filled with plays, humor and hearty moments.
Mixed review but strong performance
While the film has received mixed reviews, the performance of Ravi Kishan, Sanjay Mishra, and Deepak Dobial, especially his comic timing, has been widely appreciated by both critics and audiences.
