Satyanarayana Raju’s ‘Ram Katha’ put the best scenes together with epic.

Satyanarayan Raju’s single Act ‘Ram Katha’ | Photo Credit: Special Arrangement

Satyanarayana Raju’s ‘Ram Katha’, which was given by Usha RK and conceptualized and conceptualized by the dancer, is interested in its premiere 12 years after it was.

“Veg Up Lord, fulfills his role as a protector of the universe,” Kriti ‘makes Tyagaraja guilty in’ Melukovaiah ‘. The dancer depicted the importance of Rama in our life in this introductory song, designed as an invocative piece. The statement then began with Vatsalya Bhava of Kaushalya, as the Madhur Tulsidas Bhajan was seen in ‘Thumk Charat Ramchandra’ and ended with a thilana. All the pieces were choreographed to tell the story of Rama.

‘Ram Katha’ has been conceptualized and imagined by Satyanarayana Raju: Special arrangement

Satyanarayan Raju’s acting skills help him easily communicate emotions. He portrayed various characters with great impact. There were no exaggerated or overlapping moments. Especially in the scene where KaiKE asks for two boons promised by Dasrath. Satyanarayana Raju handled emotions sensitively.

Another standout scene was of JTU because it turns from a gentle bird, dedication to Rama, one who collides in the sky and fights Ravana. As the Lanka king cuts his wings, it falls down and again comes into a critical position. The dancer’s body language and fine actress not only created this scene, but also the people of Manthara, Hanuman and Guha, the way the props were handled, an additional dimension was added. It was a good idea to enter the stage with a bow and arrow, and then place it on a figure of Hanuman to indicate reverence and prayer. In addition, it was also imaginative to use marigold strands for decoration during the coronation ceremony and then destroy the same strands to portray Manthara’s anger.

Music support was excellent. The synergy between the dancer and the singer was such that Satyanarayan Raju’s expressions echoed in the voice of DS Srivathasa. Raghunandan Ramakrishna increased the experience on Mridangam on flute and Vidyashankar.