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Son of Sardaar 2 vs Dhadak 2: Ajay Devgan’s sequel Siddhanta-Tripti’s earnings earned

Ajay Devgan has returned to familiar turf with Sardar 2’s son, and the audience is clearly enjoying the ride. Family friendly comedy sequel has given a concrete opening, which is on day 1 and ₹ 7.50 crore on 7.25 crores and day 2. According to the initial estimates of Sacnilk, its total is ₹ 14.75 crore.

Starring by the National Award winning director Vijay Kumar Arora, the signature of the film Devgan brings back the desi humor. A lively dress supported by artists- Munal Thakur, Sanjay Mishra, Ravi Kishan and the late Mukul Dev- the slap with Mas-Entertainment with Mas Entertainment.

‘Dhadak 2’ struggles to match speed

In contrast, Dhadak 2 starring Siddhant Chaturvedi and Triptidi Dimri has left for a slow start. The romantic drama, which examines the subjects of caste and social injustice, collected on day 1 and 3.5 crores and ₹ 3.75 crore on day 2. It has a total of ₹ 7.25 crore.

Despite being a spiritual successor of the 2018 film Dhadak, the film is a remake of the Tamil film Paryaram Perumal, a reported by critics. Directed by Shazia Iqbal and produced by Dharma Productions, Zee Studios and Claude 9 Pictures, the film has earned praise for its emotional depth, but is struggling to attract a large crowd amidst strict competition.

Also read: Sardaar 2 Review Son: Heart, No-Brener Fun with Humor, and A Surprise You Can’t Miss you

Supporters include Zakir Hussain and Saurabh Sachdeva, who lend to Gravitas for this intensive love story set against the background of caste discrimination and resistance.

Weekend Outlook: All eyes on the word of mouth

The weekend is still running, there is a possibility of change at the box office. However, the son of Sardar 2 has a clear lead at this level, especially in view of Seara’s ongoing success, which is near 300 million miles. Meanwhile, an animated mythological feature Mahavatar Narasimha is also performing well in its second week.

Can Dhadak 2 can create traction through strong words-mouth, it remains to be seen, but the current numbers highlight the public’s inclination towards familiar franchise and light storytelling.

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