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Studio Ghibali AI Kala changed Bollywood classics: Bhool Bhulaiya, Jab We Met, Hera Feri, Bahubali, DDLJ, and more

The social media studio Ghibali is filled with AI Art, whether it is Instagram or X, Feed Tejaswi Studios filled with paintings of Ghibali-style. Within a few hours, people have changed everything-from the viral mems-ino-infidel arts in the viral memes. After introducing a new feature of Openai’s Chatgpt-4o, this viral trend stopped, which not only allows users to create images, but also transforms their own pictures into anime-style masterpiece.

Internet Anime is echoing with magic, “Om Shanti Om,” Bhool Bhulaiya, “Sholay,” Dilwale Dulhania Le Jayenz, “Hera Feri, and ‘Bahubali’ have received an artistic re -evaluation, and the audience could not get enough.

Vivek Chaudhary’s viral ghibali-style Bollywood scene

One of the most talked-about posts comes from social media user Vivek Chaudhary, who took the X (East Twitter) to share the AI-related pictures of the beloved Bollywood scenes. The characters of Hera Ferri-Raju, Babura and Shyam have been converted into figures like adorable, Totaro-like, which exclude the attraction of Ghibli’s specific story.

Meanwhile, scenes of the grand war of Bahubali are set against a dream -painted background that reminds the enthusiastic distance. Even the legendary DDLJ train sequence is rebuilt with an enchanting, magical essence, making it look out directly from an animated story.

Take a look at the images here:

Take a look at more images from the prestigious Bollywood moments here:



Madock Films also shared posters of films like “Bhedia”, “Munjya”, “Mimi”, “Stri 2”, Terry Baton Meen Iisa Ulja Zia “and” Sky Force “to AI.

“This is not just Ai. It’s adorable intelligence,” Madock wrote. Here’s a look:


While fans are enjoying this unique fusion of Bollywood and adjacent aesthetics, not everyone is thrilled about the growing effect of AI-borne artwork. Many artists and animators argue that artificial intelligence can reduce the craftsmanship of human painters. No one has given fuel to this debate apart from Hayo Miyajaki himself.

Hayo Miyajaki’s stand on AI in animation

With the AI ​​art becoming increasingly prevalent, the visuals of the studio Ghibli co-founder, Hayo Miyajaki, have a significant weight. Famous filmmaker, celebrated for works like my neighbor Totoro and Spirit Aee, has been outspoken about rejection of AI’s role in long -standing animation.

In a documentary in 2016, ‘NHK Special: Hoyo Miyajaki – which never ends,’ Miyamaki openly criticized the use of artificial intelligence in creative areas. Reacting to the performance of the AI-Janit animation, he expressed his deep disappointment saying, “If you really want to make scary goods, you can move forward and do it. I do not want to include this technique in my work. I feel firmly feel that it is an insult to life.” He further said, “I think we are close to the end of our time. We are losing faith in ourselves.”

Miazaki’s feelings reflect the concerns of many traditional artists, who are afraid that AI-composed compositions may reduce the value of human craftsmanship in the film industry.

AI and future of traditional animation

Despite the ongoing debate, AI pursues the boundaries of artistic expression. With the makeover of Bollywood films Ghibali-style, the possibility of further AI-related experiments is endless. Fans are already guessing which film may get the next studio condemned change. Can we see Zindagi Na Milegi Dobara as an animated adventure? Or Mughal-e-Azam turned into a visually stunning, hand-prepared epic?

As technology develops, the fusion of AI and traditional animation opens new creative possibilities. Whether it enhances the form of art or threatens that a discussion remains for the future, but for now, Bollywood’s Ghibali-style Parivartan is a delightful treatment for cinema and animation lovers.

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