‘Sunny Sanskari’s Tulsi Kumari’ Movie Review: Varun Dhawan makes the rent of this trivial festival

Among the young protigs of Karan Johar, I think Shashank is the most effective in taking the voice of Khitan Kuch kuch hai hai Further conversation. After the film, the film, the young high-middle-class Punjabi/ Marwari, draws a picture of the youth, who are caught among the values ​​inherited from the family and defines the Internet as modern.

If Humpty Sharma Ki Dulhania Felt fresh, Badrinath Ki Dulhania Was an attractive follow -up. This dusera, he makes a plot and repeats the template which is essentially a cross between his previous two success stories. If Humpty won a girl who was already engaged, Badrinath had to shed her patriarchal view to win her love. Here, Sunny (Varun) and Tulsi (Janhvi) are candidates who have been rejected in love. When they decide to crash at the wedding of their pre-partners, Ananya (Sanya) and Vikram (Rohit), they find out that in this game of ‘Match the Follow’, there is some magnetic relationship between them too. As sparks fly, chaos increases, patriarchal mindset comes out, and Rome-Com gets a glimpse of life.

Rohit Saraf and Sanya Malhotra ‘Sunny Sansari Ki Tulsi Kumar’ still in one. Photo Credit: Religion Productions

As a fun outing for the festive weekend and a large, thick Indian wedding industry, as an innovative advertisement, there is no meaning in search of nuances in details in storytelling or characterization. Nevertheless, between jokes and jibbs, Khetan and co-writer Ishita Motra ‘I love your love yorself’ generation and modern relationships provide some insight into the brain of the figure of the shape, where the current is often compromised for a safe future idea, as imagined by the family.

At the beginning of the film, in a single scene appearance, veteran Salim Arif set the tone when he offers an important lesson at the value of self-esteem in love. It is a matter of preserving the identity of a girl in crossing a rich family, and the Instagram is a silent but indicated comment on pressure to increase the rift in the world.

Called after misfire Baby JohnVarun Dhawan found his Mojo back to the familiar turf, where he plays a modern day version of Govinda. Gold seems to be one with a heart, a boy from the naughty middle class, tailor to Sunny Varun. He chews the scenes, plays in the gallery, and the lifeline of the film, which is keeping in mind the wafer-splitting conspiracy.

Varun Dhawan and Janhvi Kapoor still from ‘Sunny Sanskari Ki Tulsi Kumar’. Photo Credit: Religion Productions

The film, fuel by clickbait dialogues, is honestly done wrongly to Sanya Malhotra. Perhaps Janhvi Kapoor is really the presence of his pretense. Alia Bhatt has no replacement, but is not bad as Janhvi Tulsi, a specific Bollywood prototype that sheds a girl-next-door image and turns into a glamorous diva to demand attention. His dialogue distribution is still a task in progress, but after that HomeboundShe once again honestly reveals the internal turmoil of a character which is not completely out.

However, the moment you see Rohit, you know that that love is going to be the third or fourth angle in the story. Plot points and punchlines act like an algorithm where the support cast intervenes with automatic accuracy. The songs are not attractive as the previous repetitions of the love stories of Khith, but still, it is a kind of film that you do not mind if someone else is paying for a ticket.

Sunny Sanskari’s Tulsi Kumari is currently playing in theaters.