In today’s movies, where other noisy is emphasized on the great dialogue and visual action, “Tehran has a different way. This is a movie that neither lighter the listeners nor makes the story decorative. Inspired by true events, it does not only disturb the complications of political politics, but the personal battle of a human being brought with a sensitivity.
The film begins with a horrible bomb blast in Delhi’s roads. Many people get injured in the accident and an innocent girl died. But it is not a common terrorist attack – political expression, international enemy and a network that doesn’t care about the limits.
The case has been handed over to the DPPP Kumar (John Abraham). For them, it does not only become probe, but one of the delicates, because one killed girl was very close to his heart.
As the story is proceeded, Rajiv realizes that the incident is not limited to India only from India. And this India is stuck in an attempt to balance the balance between these two.
John Abraham played a serious, calm and broken character from a incarnation. His acting did not reach the mouth, but by the eyes and silence. Perhaps it is perhaps John’s balanced and mature. Manushi is a limited but effective role. His character turns a large turns of sub-verified duty. His simplicity and gravity matches the tone of the film. Niru Bajwa gets calm but politically familiar and strong character according to Diplomat Shanja. They leave the effect in each scene while in the background. The Harya Khanpur creates fear as a terrorist Ashraf Khan but without experience. His acting is very real that the spectators tremble with his intentions.
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This movie is inspired by the actual bomb blast, but the style of completing it is completely cinematic. Politics, emotions and international relations have been thrinded in this way that audience has been forced to think every time.
India has not been a hero, no one has been made a hero, it is actually shown that the countries sometimes take moral decisions at times.
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The movie writings are very balanced and impressive – neither excessive drama, nor no emotional pretense. Ravash Shah, Ashish Verma and the Bindyish Kaia, which goes to a good balance between politics, emotion, and reality.
The camera’s camera work is commendable. Delhi crowded streets, abu dhabi desert and stressless locations – shots with all raw and realistic lens. Background music neither playing neither loud, nor is it as important. This music makes the story feel, not dominate. The film’s length is perfect. Neither attracted, nor a meaningless thing. Every scene goes on by calling his point.
“Tehran” is not just a spy or thriller film. This is a political comment, a mirror that shows that the actual price of diplomacy and spy is paid.
This movie shows that the bats are not only fought on the border – the decisions where decisions are taken. When the governments are behind, an honest officer saves the frond – it’s the soul of this film.
“Tehran” developed by Modules movies and my cake movies have no movie, an experience – intimidate, and finally leaves a deep effect. This is a movie that lives in your mind even after watching.
If you are looking for a cinematic depth, political reality and hard acting – not entertainment from movies, ie – then don’t remember Tehran.
Is currently available at Zi 5.
Should see – but by opening the mind and the heart.
Tehran Movie Review: An official, a battle, and a truth – the same
Director – Arun Gopard
Artist – John Abraham, Nearu Bajwa, Manushai Cubo, Ji Hi Khanpur
Time – 118 minutes
Rating – 3.5 / 5
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