At the center of Vala: Story of a Bangle Okay, a bangle, which everyone wants. There is a legend associated with this precious stones, which is attached to the bangle surrounded by the origin of Arabia, which can inspire the audience to think that perhaps the film is on the lines of the film Pharmakalam – An antiquity with supernatural powers. No, the bangle does not have such powers. Wave Almost greed, blessings, and redemption, among other things, but the offbeat decreases despite the basis.
Written by Harshad, who scripted Vulgar, Dome panthandum (Which he also directed), Puju, And Kadina Kadhorami Andakadahm, Wave Is directed by Muhashin. His last film was Kadina Kadhorami Andakadahm,
This is the story of two couples-Banu Prakash and Vishalkshi, and Purushothaman and Sarla-and Bangle and their east. Puruthothman Nair (Purushu), an impressed meditation by Srinivasan, is a rich, small -time politician who marries Sarla (Raveena Ravi), an employee of Akshay Center. The bangle belongs to Sarla, which, eagerly, cannot remove her wrist. The twist in the story comes when Visalakshi (Sheethal Joseph) sees it on a trip to Akshaya Center; Incidentally, at the end of an argument between the two, the giant decided that he wanted a bangle that is the same.
It is proud that she has worked with a policeman Banu (Lukman Avaran), who thought she was with gold jewelery from home. This occurs in the form of an old box of her grandmother’s trinket. This feeling makes him feel insufficient despite Banu’s continuous assurance. However, she recovers when she gets a uniform bangle, and it is action Wave,
It will be easy to blame Vishlakshi for being childish in her demand, but the audience understands why she behaves in this way – she has left home, displaced by her parents, and living in a house with strangers. When we meet a man, we feel that he is not as smiley as he appears; He has a greedy side. Harshad’s writing catches the internal ideas of the characters, but anyone wants them for more depth. Especially enmity between Banu and man.
The statement follows the main stages of storytelling; However, it takes time to lay the foundation in the first half, introduce characters and their objectives and set action in speed. A large part of the first half wonders a wonder in which direction, if, at all, the film will take. Fortunately, the action picks up just before the interval.
Vala: The Story of a Bangal (Malayalam)
Director: Idiomatic
Mold: Santhi Krishna, Vijayaraghavan, Dhyan Sarenivasan, Lukman Avaran, Raveena Ravi, Shethal Joseph
Runtime: 133 minutes
Story: The film revolves around a bangle, which gangsters, police and everyone else feel.
The second half sits for you, because by then, it seems that we are also going to the circles without target. The second half naked action, and most of the whis and how are responded to. The bangle can be removed, we learn. We also learn whose it is, because in the first half, we find out that it is not a family legacy as Sarla claims. Bangle belongs to Fatima (Sandhi Krishna). It is gifted to her by her husband Sopikka (Vijayarghavan).
There is a history of Sopicka and Banu, which is an unpleasant one, which is particularly ineffective for Banu. Receiving the bangle to refund Soopikka and Fatima becomes a mission to redeem itself. Meanwhile, the man is desperate to get a bangle from his wife’s hand as he has taken money from a gangster for this. After some expected and some unexpected turn, the bangle reaches the hands of the Superintendent of Police.
Also Read: Jethu Joseph Interview | I want to tell different types of stories as much as possible
This is where the film challenges someone’s general knowledge. Everyone associated with the bangle gather at the bangle’s house (why?) Where the stolen property is handed over to him (again, why?). Sopikka is suspicious of the intentions of the police (that he will pocket it), which we also understand.
It is problematic at many levels. The most basic question is “Can we trust our police?” An honesty is expected that it does not happen as it does in the film. This is a terrible idea.
Muhashin has extracted the best from his actors, and he has given, especially Lukman, whose performance has matured over the years. As troubled, Henpeck, and in Pyaar Banu, he hangs the heartbeat. Dye, as Dwidu, with Shades of Gray, is in its element, is very different from its mindless, clickbait-Y online personality. Vijayaraghavan and Sandhi Krishna form a lovely pair. Raveena, Sheethal, and others also affect. Music composer Govind Vasatha appears in a cameo.
WaveDespite its redeeming factors, a promising idea fails to capitalize on. Just when we feel that it comes together, it is not. There are some glows of humor, which are not enough to save the film again.
Vala is currently running in theaters
Published – September 19, 2025 07:23 pm IST