Saturday, October 10, 2026 --:--:--

96 Re-release: Why the Vijay Sethupathi-Trisha film is still the ultimate nostalgia trip

96 Re-release: Why the Vijay Sethupathi-Trisha film is still the ultimate nostalgia trip

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When the movie 96Directed by C Prem Kumar, released in 2018, no one thought that Ram and Janu’s life would become so personal to the audience and touch everyone watching the film.

The Vijay Sethupathi-Trisha starrer became a blockbuster and was remade in Kannada and Telugu. Along with the re-release of old Tamil hits, the film is now all set for a re-release on October 9.

However, the ’96 re-release is more than just another attempt to cash in on nostalgia. In many ways, the film itself has become a memoir, one that has become more personal and poignant over time.

When viewers first saw Ram and Jaanu reunite at their school reunion in 2018, they were seeing memories of the characters from 1996.

Eight years later, viewers are likely going to relive their memories of watching 96 for the first time. And new, younger audiences are going to discover what nostalgia is all about.

96 A teenage love story between Ram (Vijay Sethupathi) and Janu (Trisha), who were class 10 classmates in school, was never meant to be. Meeting at a school reunion 22 years later, the two go back in time to talk about their lives, what could have been and, ultimately, come to terms with how they have to part once more when the night ends.

The film explores this teenage romance and how these memories are frozen in time for Ram and Janu despite the years. And this is exactly what is emotionally connected to every audience member who is left with memories of their school days, crushes, first loves, friendships and missed opportunities, especially in relationships.

For the audience, school corridors, photos, songs, friendships and those unspoken teenage emotions that they had locked away in a corner of their hearts came out. Although it was particularly important to those who grew up in the 1990s, it was influential on everyone as it transcended that time period as its sentiments were universal. It was a bittersweet realization that there are moments in our lives that we can only relive through memories – especially our school and college days.

The re-release of this classic today is significant as very few Tamil films are old films. with 96Those who first saw the film in 2018 will likely re-watch it now and discover a completely different emotional meaning now that they are eight years older today. They may find a completely different meaning in Ram and Janu’s life or want to experience the same feelings they had the first time they saw the movie in theaters.

There is something special about this film hitting theaters once again. Many people already know the dialogues by music director Govind Vasantha, the uplifting hit songs (especially Kathala Kathale and Life of Ram) and the emotional beats of the film. This introduction makes the dramatic experience more powerful because the audience already knows what happens to Ram and Janu. They are likely to watch the movie again to experience the same emotions they felt the first time they caught the couple on screen. Audiences became nostalgic about their past, and it is precisely this emotional core that has fueled public excitement about the film’s re-release on October 9.

Interestingly, the entire first draft of the film was written by director Prem Kumar while he was trapped in his apartment during the Chennai floods in December 2015. Due to a city-wide power outage, he wrote the script in 20 days, working by candlelight and, when the candles went out, by his mother’s light. Kuthuvilakku (the lamp).

The seed of the story, however, came before the flood. Prem Kumar was unable to attend his own school reunion. After watching a video of the reunion and talking to his former classmates, he imagines Ram and Janu’s love story. It was a story born of a memory, an absence and a desire to revisit a past that can never truly be recovered. And when 96 finally hit screens in 2018, millions of viewers found themselves doing what Prem Kumar’s classmates did—revisiting their own past and the people who were once an important part of it.

For a film about the impossibility of going back in time, Prem Kumar’s 96 has accomplished something remarkable: it has given audiences an emotional reason to return, and the film itself is nostalgic eight years later.


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